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1) Where: Gerde’s Folk City, New York When: March 31st 1964 Why:
First Gig Setlist: Unknown
Mere days after completing
work on debut album ‘Wednesday Morning 3AM’, Columbia persuaded Simon and
Garfunkel to make their live debut. Promoting them as ‘local lads done well’,
Paul and Arty performed a run of shows across the next few weeks to an
increasingly bemused folk audience who had never heard of them. The album
itself won’t be out until October, thanks to endless tweaking with the cover
and recordings, while the last minute decision to use the duo’s names meant
that anybody who still remembered them from their days as ‘Tom and Jerry’ were
none the wiser. The concerts didn’t go down well: the folk movement wasn’t
prepared for so many new songs and the likes of ‘The Sound Of Silence’ were,
fittingly, greeted with silence, while many felt that the folk standards were
better done by other people. Columbia, who had such faith in the duo, got
nervous and this is probably the point at which Simon and Garfunkel decided to
split (again), Paul leaving for a solo career in London and Arty going back to
college. We don’t have much of a record of this first concert (some sources
have it happening at the same venue six weeks earlier, on February 19th
1964, although that seems unlikely given that the first album hadn’t been made
yet and Columbia wouldn’t have been promoting a band they hadn’t even auditioned)
and we don’t know what the pair played. Chances are they just sang the ‘Wednesday
Morning’ album and didn’t play any of their older teenage material to distance
themselves from their past. Simon and Garfunkel will get better and though
their first audience, curious as to why this duo are being hailed as the best
thing to come out of New York’s folk scene may have been surprised to learn it,
will soon be famous around the world.
2)
Where: Monterey Pop
Festival, California When: June 16th
1967 Why: Biggest Gig Setlist: [ ] Homeward Bound At The
Zoo 59th Bridge Street Song (Feelin’ Groovy) For Emily Wherever I
May Find Her The Sound Of Silence Benedictus Punky’s Dilemma
So famous in fact that it’s
only three years until Simon and Garfunkel are one of the hottest acts on the
planet, chosen to end the first Friday night of the three-day Monterey Pop
Festival and with Paul famous enough to be a part of the Monterey panel deciding
what acts should appear (although his nomination, ‘Melanie’, won’t be a cult
name for another decade yet). Simon and Garfunkel, traditionally towards the
nervier end of AAA performers, sound oddly relaxed during the show where they
played to easily their biggest crowd of people (some 90,000 ish?) Paul jokingly
sings his demo version of new song ‘Punky’s Dilemma’ which catches his partner
off guard before he laughingly joins in (‘A bowl of Rice Krispies ain’t what it
used to be!’) and laughs about the red lights glaring at him from the side of
the stage with a risqué joke (‘I always associate red lights with rather a good
time!’) Paul and Arty, caught halfway between ‘Parsley, Sage’ and ‘Bookends’, broke
off a holiday to play this gig, which comes pretty neatly in the middle of a
ten week gap between tours. They debut two new songs which don’t really go with
the hippie mood (the surreal ‘Punky’s Dilemma’ catches the crowd off good,
while the sardonic and bitter ‘At The Zoo’ just sounds wrong, even if it also
sounds great played with just an acoustic guitar). The old songs, though, sound
beautiful: Arty never sings ‘For Emily’ better than he does here, while ‘Feelin’
Groovy’ is the perfect singalong song for the stoned crowd (odd they don’t do [ ] ‘Scarborough Fair’, their other big song of
the moment). It’s ‘The Sound Of Silence’ though that impresses most. Suddenly
turning solemn, with the lights dimmed, you can hear a pin drop as Paul and
Arty get to sing their ‘in the naked light I saw ten thousand people, maybe
more’ in front of a crowd that are really that big for the first time. At the
time Simon and Garfunkel were greeted as the festival’s highlight, but the appearance
of Otis and Janis and Jimi the following two nights rather take away their
crown. Still, it’s a good gig, available officially in part in the rare ‘Monterey
Pop’ film(‘Feelin’ Groovy’) that we still keep saying needs a decent re-issue
on these pages, while The Sound Of Solence’ and ‘Homeward Bound’ appear on the
three DVD set. Oddly no songs were released in audio form on the four disc ‘International
Monterey Pop Festival’ box set, suggesting some contractual wrangling going on
somewhere.
3)
Where: Clark Gymnasium,
SUNY-Buffalo, New York When: May 2nd
1969 Why: Weirdest Gig Setlist: [ ] ‘Hey
Schoolgirl!’ [ ] The Sound Of Silence
The weirdest gig Simon and
Garfunkel ever played took place after a chance meeting between Paul and Frank
Zappa in a New York music shop. Asking why Paul looked so unhappy, he groaned
that he was about to start another tour with Arty and was getting really sick
of the old songs. ‘I wish we could just go on somewhere without the pressure,
where nobody knew who the hell we were man, like we used to’. Zappa, in need of
a support act after another pulled out at the last minute, offered him the slot
at a local gif The Mothers Of Invention were due to play the next week and
after consulting with Arty the pair agreed on the condition that they could
pick their own material and would be billed as ‘Tom and Jerry’ for the first
time since 1959. The shocked audience were none the wiser when Paul and Arty
sheepishly walked on and said ‘hello’ and promised to play their ‘hit’ before
playing a twelve year old song pretty much no one in the audience could
remember: ‘Hey Schoolgirl!’ We’re not sure what else they played, but Paul and
Arty performed at least a few of their other ‘Tom and Jerry’ collaborations and
may well have thrown in a few ‘Tico and the Triumphs’ ‘True Taylor’ ‘Jerry
Landis’ and ‘Artie Garr’ songs too. We also know that the duo threw in one of
the songs that got them interested in making music named ‘Earth Angel’ by The
Penguins – and given that it will have a slot on the coming tour I would be
mighty surprised if the duo didn’t do their old favourite [ ] ‘Black Slacks’ in this gig somewhere too.
After a shocked half an hour of ‘is it? Isn’t it?’ Simon and Garfunkel came
back for an encore that nobody asked for and played ‘The Sound Of Silencre’,
just to prove to the crowd that it really was them. The reception was hostile,
but more against Zappa than the duo. ‘Very funny’ most of the letters went. ‘You
got a duo with the brilliance of Simon and Garfunkel and wasted their talents
singing corny 1950s songs for a joke – how could you!’ But for once in his
career Zappa was innocent and helping out a duo who had grown fed up and stale
touring the same old songs with a chance to recapture their youth.
4)
Where: Forest Hills
Tennis Stadium, New York When: July 18th
1970 Why: Last Gig Before Split Setlist:
The Boxer 50th Bridge Street Song (Feelin’ Groovy)
America El Condor Pasa ‘Rose Of Aberdeen’ Fakin’ It For Emily Wherever I May
Find Her The Leaves That Are Green Scarborough Fair-Canticle ‘Put My Little
Shoes Away’ ‘A Teenager In Love’ Homeward Bound Punky’s Dilemma So Long Frank
Lloyd Wright The Only Living Boy In New York A Poem On The Underground Wall I
Am A Rock Bridge Over Troubled Water
The last Simon and Garfunkel
show for eleven years (‘The Concert In Central Park’), nobody in the audience
knew that it would be a farewell and the duo themselves only had an inkling. By
now final album ‘Bridge Over Troubled Water’ is six months old and the disunity
felt when the band were making it in 1969 has, if not entirely evaporated, then
dissipated. The last tour in 1970 sounds a much funner tour than the slog of
1969, the only difficulty coming when Arty objected to Paul’s political song ‘Cuba
Si, Nixon No’, vetoed from the album on the condition he could sing it on stage
(with Arty pointedly leaving at this point). Notably that song has been dropped
entiurely by this late stage, replaced by a cute ‘retro’ set that featured one
two or three rock and roll standards; this final gig’s improvised choices are a
bonkers Everly Brothers song from their 1962 album ‘Songs Our Daddy Taught Us’
about a dying son and a 1959 hit for Dion and The Belmonts. Elsewhere ‘The Boxer’
is an impressive opener, grandiose but building from a tiny humble beginning,
while the last song the pair sing on stage together is the alienated ‘I Am A
Rock’, followed by Arty alone singing ‘Bridge’ (Paul’s interviews later reveal
just how unprepared he is to end the gigs this way, staring off-stage at the
fans screaming for Arty and thinking ‘no, I wrote that, yell my name!’) Sadly
nobody thought to record this gig for posterity but two bootlegs from the start
of the tour in May 1970 (‘Welcome To Holland’ and ‘Live In Paris’) are easily
the two best that survive and according to the critical responses this gig wasn’t
any worse. As it happens the two men thought they were only taking a break from
each other at first, before making the split official a year later. How odd
that the Simon and Garfunkel partnership should end at a stadium best known for
its tennis; this is the point where most reviewers would be making some joke
about this being Simon and Garfunkel’s ‘matchpoint’ where they ‘served’ their
last ‘set’ with a [ ] ‘red rubber ball’,
but we’re above that on this site, of course we are!
5)
Where: New Orleans Jazz
and Heritage Festival When: April 24th
2010 Why: Very Last Gig Setlist: A Hazy Shade Of Winter I Am A Rock America Keep The Customer
Satisfied Slip Slidin’ AwayEl Condor Pasa Mrs Robinson-Bo Diddley-Not Fade Away
Scarborough Fair-Canticle Homeward Bound Diamonds On The Soles Of Her Shoes The
Boy In The Bubble That Was Your Mother The Only Living Boy In New York My
Little Town Bridge Over Troubled Water The Sound Of Silence The Boxer Cecilia
My hope growing up was that
as I got older all the AAA bands would realise the threat of mortality on their
shoulders, come to term with their legacies and reunite peacefully, putting
petty squabbles of yesteryear aside. And then I realised that I was a fan of
CSNY, The Beach Boys and Pink Floyd so that really easn’t about to happen.
Simon and Garfunkel came closer than most though: they played a hundred and
fifty eight reunion gigs in total from ‘The Concert In Central Park’ in 1981 up
to this show (actually more than the one hundred and twenty three they played
between 1964 and the breakup in 1970), which looks increasingly likely that it
will be the very last. The 2009 tour went well, with seventeen gigs played in
Australia and Japan, but it was this American homecoming after a six month rest
that spelled the end. Arty lost his voice that year and is audibly struggling
to get to the end of the gig, something corrected only by the intervention of
surgery. But it wasn’t this that spelled the end but a growing feud between the
pair that had bickered for years. I’m not quite sure why it exploded here the
way it did. The real ending came in 2015 when Arty declared that Paul had a ‘Napoleonic
complex’ and that he felt sorry for his talented froend in high school because
he was short, before declaring that by praising his friend’s talents ‘I created
a monster’. Paul replied when asked about a reunion tour that it would be ‘hard
given that we aren’t on speaking terms anymore’. Arty has since debated openly
who will sing at which one’s funeral as that it likely to be the only time they
are together again. The human comedy rolls on…This show from 2010 exists in
part by the way, shot by various members of the audience, but has so far only
been released on Youtube. The duo don’t look at each other much (but then when
did they ever?) and seem a little weary, but they don’t seem like better enemies
either. If this is the end then it’s a sad one for a duo who defied all the
critics of their early days to become one of the biggest box-office draws of
them all.
That passing on of the musical baton works the
other way too and there are lots of acts who were in turn inspired by Paul.
Many of them even recorded his songs and we have three of the best examples
here, from the very first back in 1964 when nobody knew who the hell ‘Paul
Kane’ was (Paul’s pseudonym back then) to one famous and one obscure cover of
his material. For the purposes of this article, by the way, covers of ‘The
Sound Of Silence’ and ‘Bridge Over Troubled Water’ have been banned – no other
versions could possibly compare (although we did toy with including Disturbed’s
heavy metal thrash version of the former, purely for being so very different
and yet oddly in keeping with the original).
1) [ ] Carlos Dominguez
(Val Doonican, ‘The Lucky 13 Shades Of Val Doonican’, 1964)
What
with the pseudonym and the fact that Paul’s own version of this song is so hard
to find, I wonder how few of the people who owned this highly popular record
even realised that it was a Paul Simon record? Certainly not my mother, who
didn’t know till I pointed it out (of course I did, that’s what the AAA is
there for! Never have an anorak for a kid though folks). ‘Carlos’ is, as far as
I’m concerned, Paul’s ‘breakthrough’ song. His first ‘serious’ song, written
before ‘The Sound Of Silence’, it’s a very overlooked piece in Paul’s canon as
an ‘unhappy man’ with a Spanish name looks for truth and finds only lies,
before looking for love and finding only hate. Paul’s interpretation is also
his first song influenced by Dylan, with a quiet acoustic intensity, but Val
Doonican’s bigger budget version picks up on the South American feel of the
name and runs with it. A Samba beat, flamenco horns and a faster tempo all
contribute to the ‘Spanish’ feel of the song while Val croons over the top the
way he always does. The result is a quiet triumph that must have been a huge
boost to Paul’s reputation at the time – it seems strange he never mentions it.
The royalties would also have given Paul’s finances just enough of a boost to
enable him to stay in England playing tiny clubs and pubs for another year.
2) [ ] Save The Life Of
My Child (The Family Dogg, ‘A Way Of Life’, 1969)
What
links Hollies hit ‘The Air That I Breathe’ and Paul Simon? Well, ‘The Family
Dogg’ was an early project by Mike Hammond and Albert Hazlewood before they
realised they were better off writing songs than singing other people’s. Their
poor-selling debut record under an odd name features many weird versions of
obscure contemporary songs, but the best by far is this big budget make-over
for what was always one of Paul and Arty’s more basic recordings. The original
is a collage of ideas and lines spoken by characters but all are by Paul or
Art. This version replaces them with a choir who intone all the sounds of the
‘crowd’ downstairs or singing a burst of ‘The Sound Of Silence’ in protest at
the suicidal teen’s alienated background. The backing is also played not just
on fuzz guitar bass and drums but with a squeaky orchestra that’s big and
noisy. Do listen to the guitar-bass-drum interplay buried under it all though,
as that was made by a pre-fame pre-Robert Plant Led Zeppelin back when they
were all session musicians. The best touch of all though is the siren that
drifts lazily across the opening verse and perfectly sets the tone (a surprise
it wasn’t there in the original) while you also hear more developed background
chatter (‘What happened?’ ‘Christ!’ ‘I don’t know…’).
3)
[ ] A Hazy Shade Of Winter (The Bangles, ‘Less
Than Zero’, 1987)
I
always loved this song, but Simon and Garfunkel’s version is clearly rushed –
by their standards in 1968 it features a very light production (just the
‘usual’ plus a snatch of a ‘Salvation Army Band’) and a backing track that’s
perhaps another rehearsal or another take away from perfection (not the vocals
though, those are spot-on as always). I longed for a re-recording, but those
reunions never lasted long enough to make one – instead 1980s girl group The
Bangles had a hit with it instead. Completely revising the song, they open with
a slow prog rock ghostly opening full of whispering voices before the main part
of the song goes all punk in keeping with the urgency of the song, softening
again for a choral middle eight. The vocals are, compared to the original,
atrocious, but the performance is a good one with snazzy drumming and a gutsy
electric guitar part that goes well against the unusually quiet 1980s synths.
It’s like a fight between a gorilla and a sloth as the arrangement manages to
be simultaneously regretful over wasted youth and desperate to make up for it
now time is running out. One of Paul Simon’s most thoughtful songs finally got
the performance it deserved – and its notable that the 2010 ‘Old Friends’
between Simon and Garfunkel revives what is to all effects and purposes this
version of the song (minus the opening) rather than their own. A shame The
Bangles miss out the final ‘ha!’ but they did well enough to deserve their
best-selling single behind the eternally popular ‘Eternal Flame’ with this cover, peaking at #2 in
Billboard (Simon and Garfunkel’s only made #13).
A NOW COMPLETE LIST
OF SIMON AND GARFUNKEL AND RELATED ARTICLES TO READ AT ALAN’S ALBUM ARCHIVES:
'Wednesday Morning 3AM' (SG, 1964) http://alansalbumarchives.blogspot.co.uk/2009/08/news-views-and-music-issue-42-simon-and.html
'The Paul Simon Songbook' (PS, 1965) http://alansalbumarchives.blogspot.com/2017/01/the-paul-simon-songbook-1965.html
'Sounds Of Silence' (SG, 1966) http://alansalbumarchives.blogspot.co.uk/2013/09/simon-and-garfunkel-sounds-of-silence.html
'Parsley, Sage, Rosemary and Thyme' (SG, 1966) http://alansalbumarchives.blogspot.co.uk/2008/07/review-7-simon-and-garfunkel-parsley.html
'Bookends' (SG, 1968) http://alansalbumarchives.blogspot.co.uk/2010/10/news-views-and-music-issue-78-simon-and.html
'Bridge Over Troubled Water' (SG, 1970) http://alansalbumarchives.blogspot.co.uk/2016/04/simon-and-garfunkel-bridge-over.html
'Paul Simon' (PS, 1972) http://alansalbumarchives.blogspot.co.uk/2011/12/news-views-and-music-issue-124-paul.html
'There Goes Rhymin' Simon' (PS, 1973) http://alansalbumarchives.blogspot.co.uk/2008/07/review-56-paul-simon-there-goes-rhymin.html
'Paul Simon' (PS, 1972) http://alansalbumarchives.blogspot.co.uk/2011/12/news-views-and-music-issue-124-paul.html
'There Goes Rhymin' Simon' (PS, 1973) http://alansalbumarchives.blogspot.co.uk/2008/07/review-56-paul-simon-there-goes-rhymin.html
'Angel Clare' (AG, 1973) http://alansalbumarchives.blogspot.co.uk/2014/07/art-garfunkel-angel-clare-1973-album.html
‘Breakaway’ (AG, 1975) http://alansalbumarchives.blogspot.co.uk/2008/07/review-68-art-garfunkel-breakaway-1975.html
‘Still Crazy After All These Years’ (PS, 1975) http://alansalbumarchives.blogspot.co.uk/2012/11/paul-simon-still-crazy-after-all-these.html
'Watermark' (AG, 1977) http://alansalbumarchives.blogspot.nl/2016/09/art-garfunkel-watermark-1977.html
'Fate For Breakfast' (AG, 1979) http://alansalbumarchives.blogspot.co.uk/2015/07/art-garfunkel-fate-for-breakfast-1979.html
'One Trick Pony' (PS, 1980) http://alansalbumarchives.blogspot.co.uk/2008/07/review-78-paul-simon-one-trick-pony.html
‘Scissors Cut’ (AG, 1981) http://alansalbumarchives.blogspot.co.uk/2017/03/art-garfunkel-scissors-cut-1981.html
'Hearts and Bones' (PS, 1983) http://alansalbumarchives.blogspot.co.uk/2008/07/review-85-paul-simon-hearts-and-bones.html
‘Graceland’ (PS, 1986) https://alansalbumarchives.blogspot.co.uk/2017/10/paul-simon-graceland-1986.html
'The Animals' Christmas' (AG, 1986) http://alansalbumarchives.blogspot.com/2013/12/art-garfunkel-animals-christmas-1986.html
'Lefty' (AG, 1988) http://alansalbumarchives.blogspot.com/2016/11/art-garfunkel-lefty-1988.html
'Rhythm Of The Saints' (PS, 1990) http://alansalbumarchives.blogspot.co.uk/2012/05/review-94-paul-simon-rhythm-of-saints.html
'Songs From The Capeman' (PS, 1997) http://alansalbumarchives.blogspot.co.uk/2015/10/paul-simon-songs-from-capeman-musical.html
'You're The One' (PS, 2000) http://alansalbumarchives.blogspot.co.uk/2015/01/paul-simon-youre-one-2000.html
‘Everything Waits To Be Noticed’ (AG, 2002) http://alansalbumarchives.blogspot.co.uk/2012/09/art-garfunkel-with-maia-sharp-and-buddy.html
‘Surprise’ (PS, 2006) http://www.alansalbumarchives.blogspot.co.uk/2013/05/paul-simon-surprise-2005-album-review.html
'So Beautiful, Or So What?' (PS, 2011) http://alansalbumarchives.blogspot.co.uk/2011/07/news-views-and-music-issue-107-paul.html
'Stranger To Stranger' (PS, 2016) http://alansalbumarchives.blogspot.com/2016/06/paul-simon-stranger-to-stranger-2016.html
Every Pre-Fame Recording 1957-1963 (Tom and Jerry,
Jerry Landis, Artie Garr, True Taylor, The Mystics, Tico and The Triumphs, Paul
Kane) http://alansalbumarchives.blogspot.co.uk/2017/03/simon-and-garfunkel-every-pre-fame.html
The Best Unreleased Simon/Garfunkel Recordings http://alansalbumarchives.blogspot.co.uk/2014/07/simon-and-garfunkel-unreleased-tracks.html
Surviving TV
Clips 1966-2012 http://alansalbumarchives.blogspot.co.uk/2017/04/simon-and-garfunkel-surviving-tv-clips.html
Non-Album
Recordings 1964-2012 http://alansalbumarchives.blogspot.co.uk/2017/04/simon-and-garfunkel-non-album.html
Live/Compilation/Film
Soundtrack Albums Part One: 1968-1988 http://alansalbumarchives.blogspot.co.uk/2017/03/simon-and-garfunkel-livecompilationfilm.html
Live/Compilation
Albums Part Two: 1991-2012 http://alansalbumarchives.blogspot.co.uk/2017/04/simon-and-garfunkel-livecompilation.html
Essay: Writing
Songs That Voices Never Share https://alansalbumarchives.blogspot.com/2018/06/simon-and-garfunkel-essay-writing-songs.html
Landmark Concerts
and Key Cover Versions https://alansalbumarchives.blogspot.com/2018/07/simon-and-garfunkel-five-landmark.html
