The Rolling Stones: Landmark Concerts and Key Cover Versions

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I don't know about you, dear reader, but so far this book/website has seemed awfully studio-bound: yes there are the odd live albums dotted round in the discographies but a touring life was usually as important if not more so to our AAA artists. Even we can't go through every gig they ever played however, so what we've decided to do instead is bring you five particularly important gigs with a run-down of what was played, where and when and why we consider these gigs so important. Think of these as a sort of 'highlights' covering from first to last, to whet your appetite and to avoid ignoring a band's live work completely! The Stones may well have played more gigs than any other AAA band. A complete number seems hard to compile (especially now that Bill Wyman isn’t in the band and taking lengthy notes all the time) but it seems to be well in the thousands (3000?) There have been some lengthy gaps between tours sometimes and a long spell between early 1967 and mid 1969 when the need to cover up Brian Jones’ failing health meant the Stones didn’t go out on tour at all. But these are minor spells in a career that has now lasted nearly fifty-six years and has seen the band go from playing one of the smallest clubs in Britain to breaking a record for attendance that had stood for five years (since old rival Paul McCartney, in fact).

1)  Where: Marquee Club, London When: July 12^th 1962 Why: First Gig Setlist: ‘Kansas City’ ‘Confessin’ The Blues’ ‘Bright Lights Big City’ [38] Down The Road Apiece ‘Dust My Broom’ ‘Baby What’s Wrong?’ ‘Bad Boy’ ‘I Ain’t Got You’ ‘Honey Hush’ ‘Ride ‘Em On Down’ ‘Back In The USA’ ‘Kind Of Lonesome’ ‘Big Boss Man’ ‘Blues Before Sunrise’ ‘Don’t Stay Out All Night’ ‘Tell Me That You Love Me’ ‘Happy Home’

Back in March 1962 two rival bands met up at London’s Ealing Jazz Club owned by blues legend Alexis Korner and made friends. In one corner playing R and B were ‘The Blue Boys’, starring Mick and Keef with guitarist Dick Taylor (later of The Pretty Things). Other in the other corner wailing the blues were ‘Blues Incorporated’ starring Brian Jones and Ian Stewart. Jones had been looking for new members and found a ready made half group all ready for him – in turn the ‘Blue Boys’ were impressed by the extra authenticity Brian was already using in his music. The new band rehearsed in private for four months at the memorably titled ‘Bricklayer’s Arms Pub’ in London. This period was punctuated by bust-ups over whether Chuck Berry and Bo Diddley counted as ‘blues’ and with the loss of several members: guitarist Geoff Bradford, lead singer Brian Knight and drummer Tony Chapman. The band really needed a break, but nobody would give them one – even their old pal Alexis Korner had no spots available at his Marquee Club and would only shake his head when Brian asked him for work. And then, on July 12^th 1962 the band got lucky: Alexis’ band ‘Blues Incorporated’ were asked to play a radio gig on the day they would normally be headlining at their club and the broadcasts were live in those days. All the band shiggled up one on the bill and it left an opening for the Stones at the bottom of the bill. Needing a name in a hurry so Jazz Weekly could include it on the regular adverts for the venue, Brian is said to have got ‘The Rollin’ Stones’ from his own record collection, noticing the Muddy Waters track of the same name. They were, though, still only half a band made up of a singer, two guitarists and a pianist; old pal Dick Taylor agreed to fill in on bass to help them out and a series of auditions resulted in Mick Avory, future Kinks drummer. Inevitably nobody thought to take pictures or record the sound of what was only yet another new blues band on the bottom of the bill and nobody bothered to review the band’s first gig, but against all odds Stu kept his diary for that year with some scribbled notes as to what the band played on their first appearance – this might have changed between rehearsal room and stage but it makes for interesting reading. Still caught halfway between R and B and blues, it features Bo Diddley and Chuck Berry alongside several Elmore James songs and even a Billy Fury tune (‘Honey What’s Wrong?’) I would have loved to have heard some of this material: I bet Jimmy Reed’s cackling song of rebellion ‘Big Boss Man’ sounded great in the Stones’ hands for instance with Brian Jones harmonica! The Stones barely played any of these songs on their later records interestingly: [38] ‘Down The Road Apiece’ is the only exception to this as re-cut for their second album in 1965. Even the other two Chuck Berry songs played that night are different! (‘Back In The USA’ and ‘Confessin’ The Blues’, perhaps a sop to Brian as its Chuck’s bluesiest song!) The band didn’t exactly take the world by storm and Alexis Korner never did give the band a full-time job as they hoped, but somebody must have liked it as sixteen days later they were back at the bigger Ealing Jazz Club down the road apiece where the band had first met up.

2)  Where: Crawdaddy Club, Richmond When: April 14^th 1963 Why: Beatles Meet Stones Setlist: ‘Ain’t That Lovin’ You Baby?’ ‘Bright Lights Big City’ ‘Close Together’ ‘Soon Forgotten’ ‘Shame Shame Shame’ ‘Talkin’ ‘Bout You’ ‘Memphis Tennessee’ ‘I Just Want To Make Love To You’ ‘I Want You To Know I’m Bad’ ‘Like Jesse James’ ‘Little Egypt’ ‘I’m Alright’ ‘Pretty Thing’ ‘Crawdaddy’

By now the Stones’ line-up has stabilised, with Bill joining the band in December 1962 (due to the size of his amplifier!) and Charlie in January 1963 (due to old friendships with the band). So have the songs, which are a more mainstream-friendly take on a still pretty bluesy collection of material and interestingly already completely different selection of songs by much the same writers (with Jimmy Reed now clearly their favourite). Technically we don’t know what the Stones played this night either, but we do know what they were playing ten days later at the same club, by the way, so it seems a reliable guess: the band have now added crowd-pleaser ‘I Just Wanna Make Love To You’ and Bo Diddley’s tribute song to the much bigger venue they are now playing also named ‘Crawdaddy’. What the Stones haven’t had yet is a chance at the big time, but that arrives tonight when four very tired Beatles want to make the most of a rare night out in London’s capital (they were in town to appear on TV show ‘Thank Your Lucky Stars’). Not yet big enough to be mobbed in the street but wary of drawing attention to themselves even so they decide to check out what London’s club scene is like and how it compares to Liverpool’s. The Stones haven’t got a clue who they were (aside from Brian, who is said to have asked Lennon exactly what instrument he was playing on ‘Love Me Do’), but The Beatles made an impression all the same thanks to the long suede coats they were wearing as bought in Hamburg. The band were instantly impressed: the Stones sounded just the way they had about six months earlier and the two bands discovered by chance that their managers were friends (Giorgio Gomelsky was working for the Stones at the time). They also shared much of the same material. The Beatles were always being asked back in 1963 what music they listened to and so they championed the Stones by telling the world ‘guys there’s this really great group…’ Dick Rowe, who once turned down The Beatles for Decca Records on January 1^st 1962 also happened to choose now to get in touch and tell the fab four that he regretted it and hoped there were no hard feelings. ‘Is there any other act I should be looking out for, so they don’t pass through my fingers either?’ he’s meant to have asked. ‘The Rolling Stones are pretty good’ said Paul, ‘I think I’ve got their number somewhere…’ The Stones’ big break had come at last.

3)  Where: Apostolous Nikolaidais Stadium, Greece When: April 17^th 1967 Why: Last Gig With Brian Jones Setlist: [59] The Last Time [69] Lady Jane [82] 19^th Nervous Breakdown [111] Ruby Tuesday [110] Let’s Spend The Night Together [72] Goin’ Home [61] (I Can’t Get No) Satisfaction

Much is made of the free gig the Stones played in Hyde Park in 1969 which as well as ushering in Brian’s replacement Mick Taylor ended up as a tribute to the fallen Stone. However rather than tell you about something you already know I’ve always wondered…what was the last gig the Stones played with their ‘original’ line-up? The answer is a low-key gig in Greece at the end of a tiring European tour.  The Stones didn’t know at the time it would be the end, but they probably had a feeling: Brian had been getting slower and more strung out and rivals The Beatles had abandoned touring in August 1966 out of frustration at not being able to play their more sophisticated songs on stage above the screaming. The Stones had reluctantly turned down the chance to play at the Monterey Pop Festival in June that year for fear they’d be blown off the stage and would damage their reputation (but they also felt loyal to Brian and didn’t want to kick him out the band). Circumstances rather took over the decision for them anyway when Mick and Keef ended up being arrested for drug possession at a party in the middle of the year and Brian too ended up in trouble for a separate incident. The Greece show is a good summary of their live set at the time, as heard on 1966’s ‘Got LIVE! If You Want It’ and has notably taken Brian’s role in the band down to a minimum (some nights his guitar wasn’t even plugged in, though he still played a lovely dulcimer part on ‘Lady Jane’). The Stones are also padding out their now substantially longer set with a mammoth improvisation based around ‘Goin’ Home’ as previously featured on ‘Aftermath’ the year before. Though a recording of this show doesn’t exist, one for Paris four days earlier does and features a rough and struggling band trying to play very heavy versions of some of their lighter songs to get through the noise. It seems apt somehow that this chapter in Stones history ends with the pained scream of ‘I Can’t Get No Satisfaction’! The Move and The Easybeats were the Stones’ support act on this tour.

4)  Where: Altamont Speedway, Carolina When: December 6^th 1969 Why: Most Controversial Gig Setlist: [124] Jumpin’ Jack Flash [15] Carol [114] Sympathy For The Devil ‘The Sun Is Shining’[121]  Stray Cat Blues [129] Love In Vain [70] Under My Thumb [142] Brown Sugar [133] Midnight Rambler [133] Live With Me [128] Gimme Shelter [141] Little Queenie [61] (I Can’t Get No) Satisfaction [130a] Honky Tonk Women [119] Street Fighting Man

The Altamont gig has been called so many things: just four months from Woodstock it was greeted as the ‘anti Woodstock’, the ‘end of the 1960s’ and the ‘death of the hippie dream’. Some have wondered if the Stones, who loved surrounding themselves with black magic symbols, even arranged it to be that way. But at the time it was planned it was just another free gig for fans at a festival with The Stones eager to jump on the bandwagon big that year (this was a pr stunt to make up for complaints about high ticket prices that was hurting the band’s reputation), as suggested by Airplaners Jorma and Spencer (with The Stones the biggest band then still touring in rock and roll). The Stones may have taken over but thought they had planned everything the right way: they hired popular San Franciscan acts Jefferson Airplane, the Grateful Dead, CSNY and Byrds spin-off band The Flying Burrito Brothers. They had the perfect venue booked: San Francisco’s Golden Gate Park. They even had an agreement from biker club The Hell’s Angels in the hope that they would provide ‘friendlier’ security than the police would have been. And then it all went wrong: the authorities baulked at the idea of a free concert after Woodstock and refused to provide the venue , leading the band to move to a much uglier concrete stadium named ‘Altamont Speedway’ several miles away in California. And it made sense to get a different set of local Hell’s Angels – only nobody told the Stones that the Californian bikers were a much tougher and more brutal set than the hippiefied San Franciscan bikers. The result was a dark day when nothing went right: 300,000 people crammed into a much smaller area than originally planned. The stage had been built to be on a hill; the new venue was so low on the ground that nobody could see it and it was too late in the day to be changed. The Hell’s Angels were surly, seeing their brief as keeping fans back from the stage by any means possible – which they did with some alacrity. The Burritos played a nervy set interrupted by audience noise. CSNY break away from theirs several times to plead with the audience to quieten down and sit down so everyone can see. The Airplane’s Marty Balin is the hero of the hour, physically intervening when the Hell’s Angels began beating up two girls who have been pushed towards the stage, only to get smashed in the head by a pool cue. The Grateful Dead, seeing what is happening, reuse to play or even get out of their helicopter. And then, several hours late (Bill missed the helicopter), The Stones finally appear and play a set high on their nasty songs and high on drama. It’s certainly a dark and shadowy setlist: satanic prayers (‘Sympathy For The Devil’), domestic abuse (‘Under Your Thumb’), glamorising a rapist  (‘Midnight Rambler’), a slave owner (‘Brown Sugar’) and under-age sex (‘Stray-Cat Blues’): other Stones gigs will feature these songs too but, perhaps deliberately after this one, hardly ever on the same night. Almost every song is interrupted by a relentless tug-of-war between bikers and audience member leading to Mick stopping several songs to plead with them ‘why are we fighting? Brothers and sisters, get it together!’ And then it happens: a girl gets pushed towards an Angel, he threatens her with grievous bodily harm and her boyfriend, a black kid named Meredith Hunter dressed in a snazzy green suit, flashes a knife. The biker hurls himself into the crowd to exact revenge and in the kerfuffle he gets stabbed through the heart, dying in his sobbing girlfriend’s arms (the use of this in the film of the event, released as ‘Gimme Shelter’, has lead to the impression that the band were playing ‘Sympathy For The Devil’ at the time; actually it was ‘Under My Thumb’ which is almost as nasty). Nobody quite knows what to do (this didn’t happen at Woodstock!); nobody thinks to call an ambulance for ages and when somebody does it can’t get through the throngs of people in time. The Stones don’t have a clue what’s going on so they carry on playing, the boy dying to the strains of ‘Brown Sugar’ right by his ear. The event comes to an uncertain halt with the strains of the Stones’ call for a revolution that is never going to happen on ‘Street Fighting Man’ but they were wrong; Altamont was a pr disaster for the hippie movement who had got along so well across the year and the symbolism of this gig taking place just a few days before the end of the 1960s was an irony that was picked up on by many people. Sadly people miss what should have been the big news of the day: an exclusive Elmore James cover ‘The Sun Is Still Shining’ which they never did record and hardly ever played in front of people. The Stones never quite recovered (Mick and Charlie look deeply profoundly shocked watching back the event caught on camera in the documentary film) and the hippie era certainly didn’t: going into the 1970s the world was suddenly a scarier, darker place where all the love in the world couldn’t solve the basic human problems of violence. The Dead, perhaps the band most affected of all, retreated back to San Francisco with a new song about the event and the sudden change in the air(‘New Speedway Boogie’): ‘One way or another, this darkness got to give…’

5)  Where: Strahov Stadium, Prague When: August 5^th 1995 Why: Biggest Audience Setlist: [20] Not Fade Away [157] Tumblin’ Dice [287] You Got Me Rockin’ [21] It’s All Over Now [288] Sparks Will Fly [61] (I Can’t Get No) Satisfaction [215] Beast Of Burden [158] Sweet Virginia [182] Angie [302] Like A Rolling Stone [293] Rock and a Hard Place [128] Gimme Shelter [278] I Go Wild [207] Miss You [130a] Honky Tonk Women [92] Connection Slipping Away [114] Sympathy For The Devil [119] Street Fighting Man [328] Start Me Up [190] It’s Only Rock ‘n’ Roll (But I Like It) [142] Brown Sugar [124] Jumpin’ Jack Flash

The 300,000 crowd the Stones played to at Altamont was the biggest they ever played to, but the Guinness World Records don’t accept festivals with multiple acts in their list of attendance records. So instead the Stones’ record-breaking concert rakes place here in Prague where 126,702 people flocked to see them play. This amount broke a record that had been set by Paul McCartney in Brazil in 1990 and had been held ever since CSNY played Wembley Stadium in 1974 (in case you were wondering the record now lies with Vasco Rossi who had 220,000 people see him play in Italy, even though I have to confess I’ve never flipping heard of him!) This was part of the ‘Voodoo Lounge’ tour of 1994-1995 which was itself a record-breaker, the band earning some $320 million, a record that will last until 2005 (when, erm, an act named The Rolling Stones beats it with their even lengthier ‘Bigger Bang’ tour). As captured on the live record ‘No Security’ (every Stones tour since the late 1970s has resulted in a new live album, pretty much) The Stones play a scrappy set filled mostly with oldies and a few songs from the ‘Voodoo’ album that work rather well ([310] ‘Saint Of Me’, oddly not played at this gig tonight, is their best live song in years). There are a few surprises for audience too though, notably the band’s cheeky postmodernist take on Bob Dylan’s ‘Like A Rolling Stone’ and Keith reviving the ‘Between The Buttons’ song ‘Connection’ which the band didn’t play live at the time even and singing it with his voice rather than Mick’s! Otherwise though it’s business as usual and this gig is more or less interchangeable with most other Stones gigs from the past twenty years, though thankfully they left their giant inflatable penis at home for this one!

That passing on of the musical baton works the other way too and there are lots of acts who were in turn inspired by The Stones. Their songs were malleable to be done in so many different ways turning out darker, stranger, cuter. With many Stones songs coming in with a ‘swampy’ blues’ tempo, interpretations have also ranged from speeding them up to become super fast while others have slowed them down to bring out their inner beauty. As you might expect, there have been flipping hundreds of Stones cover albums down the years – the best is ‘Cover You’ (1998) a catch all of previously existing songs by lots of big names including two AAA stars in The Searchers and Otis Redding, while others include ‘A Tribute To The Rolling Stones’ (2002),’We Love You!’ (2003) and the psychedelic ‘Stoned!’ (2016). For our list though we’ve gone for three songs that don’t appear on any of these albums and yet are all fabulous and more than worth Stones fans seeking out; in fact I’ll be so bold as to say in all our thirty AAA articles of cover versions these might well be the pick of the bunch!

1) [   ] Paint It, Black (The Animals, ‘Monterey Pop Festival’ 1967)

Especially this one! The Rolling Stones were on the panel of The Monterey Pop festival and many fans were sad they didn’t turn up – Brian Jones’ declining health put paid to that, though he was the one Stone to turn up in person. I wonder what he would have made of his old rival Eric Burdon’s mind-blowing performance of his band’s song? Almost unrecognisable and really digging into the sheer horror of the depression in the lyrics, this arrangement starts off with a two minute violin solo that sounds as if it’s come from the depths of Hell all drilled on one note, before the song finally turns left into what fans will recognise. But wait a minute: even then this song sounds so very different. Freed of the need to be a compact single the song ends up rising and falling on a superb bass line and Eric goes off on an extended rap completely building on the original that’s just extraordinary as he reaches into the song’s emotions and adds a whole new verse: ‘Since you’ve been gone everything is black I know, don’t turn your back on me because I need you by my side, I only need you looking at me and loving me and having you by my side, I walked down the street I saw some cars, they should have been blue and green and brown, I saw some people they should have been white and brown and black but they all turned black baby…You know what it’s like in your life when there’s no colours it’s a drag, it’s a bad bad scene, I know because I’ve been there. And you don’t have to tell me that I’m wrong when what I am doing is right, everything is right if everything is wrong, everything is gone, yes it is, shut up, don’t talk, speak!’ Much as I love the original with its mad sitars and its sense of the hangman’s noose around the neck, I really adore this version where the body is swaying and Eric sings the song much more directly without the slight tongue-in-cheekness of Mick’s vocal. Frustratingly, though, The New Animals never did do this one on record and the only one released under their name (‘The BBC Sessions’) is disappointing, compacted to three minutes that stops before it gets going and without the long rap section. The various artists set from Monterey, though, is a must have for every AAA fan and this may well be the best performance on it, so different to the original and yet so in keeping with its original spirit.

2) [  ] Sister Morphine (Marianne Faithfull, B-Side 1969)

Not many fans realize that ‘Sister Morphine’ started life as a Marianne Faithful song. At the time she had, at most, taken drugs once or twice in her life, but her fevered imagination really conjures up well the decay of the drug scene she saw around her and her worry about what was happening to friends Boyfriend Mick heard and liked it, singing on Marianne’s original version alongside playing by Keef, Charlie and Ry Cooder. Decca weren’t so keen – with the Stones insisting her version come out, they managed to block it so that it appeared as the barely noticed flipside to her single ‘Something Better’ (a very odd pairing!) In the end enough press noticed the name and were so shocked given Marianne’s still pretty innocent public persona that they pulled it from the market after only 500 copies had been sold – these, inevitably, became collector’s items (1991 compilation ‘Come My Way’ is an easier and cheaper way to hear it nowadays!) Marianne’s version is less harrowing than the Stones’ re-recording in 1971 and its almost pretty: Marianne sings like she’s in denial with her traditional vibrato vocal a good match for a purring cat. The backing, though, is more aware – Ry Cooder’s darting guitar is close to where Mick Taylor’s will be on the finished product, but Keith’s acoustic is much more desperate and Charlie’s powerful drumming is a revelation, something way too big and massive for this fragile soul to bear. Of course by the time the Stones recorded this song (with Marianne’s co-credit removed after a publishing dispute) Faithfull really was a full-blown addict and she re-recorded the song herself, without any Stones help, in 1979 where it appeared as a B-side again to her comeback single ‘Broken English’. By now Marianne is singing the song without the smug grin she had ten years earlier – she’s lost so many friends and nearly died herself so many times that this is not a game anymore, her vocal demonstrating the ravages of time with a much more dramatic arrangement. The 1969 is still the one to go for though, a chilling document of someone staring the jaws of death in the face before later jumping straight in.

3) [  ] No Expectations (Johnny Cash, ‘Gone Girl’ 1978)

Have you ever wondered what The Stones’ slowest song might sound like if speeded up to become one of the fastest? Johnny Cash was always looking for songs from the rock and pop world that he could do for his country-rock audiences and you can see why ‘No Expectations’ would appeal – it’s at one with The Man In Black’s many tales of trains and journeys and takes of moving on. Cash’s voice, though, was only built for ballads in his later aging years so he speeds the song up, gives it a bouncy ‘boom-chikka’ guitar riff and the Carter Family all chime in on the chorus as if they’re waving him again. There’s an interesting lyric change (‘Come and pour me on that plane!’) and some terrific guitarwork, while Johnny’s vocal is filled with regret and pride. The new arrangement really shows off just what a beautiful melody this song has and how clever the words are, one of the Man In Black’s better ideas of the late 1970s.

A Now Complete List Of Rolling Stones and Related Articles To Read At Alan’s Album Archives:

'Rolling Stones' (1964) http://alansalbumarchives.blogspot.co.uk/2011/05/news-views-and-music-issue-100-rolling.html

'No 2' (1965) http://alansalbumarchives.blogspot.co.uk/2015/08/the-rolling-stones-no-2-1965.html

'Out Of Our Heads' (1965) http://alansalbumarchives.blogspot.co.uk/2014/06/the-rolling-stones-out-of-our-heads-1965.html

‘Aftermath’ (1966) http://www.alansalbumarchives.blogspot.co.uk/2013/03/the-rolling-stones-aftermath-1966.html

'Between The Buttons' (1967) http://alansalbumarchives.blogspot.co.uk/2008/07/review-9-rolling-stones-between-buttons.html

'Their Satanic Majesties Request' (1967)  http://alansalbumarchives.blogspot.co.uk/2008/07/review-16-rolling-stones-their-satanic.html

'Beggar's Banquet' (1968) http://alansalbumarchives.blogspot.co.uk/2008/07/review-26-rolling-stones-beggars.html

‘Let It Bleed’ (1969) https://alansalbumarchives.blogspot.co.uk/2017/08/the-rolling-stones-let-it-bleed-1969.html

'Sticky Fingers' (1971) http://alansalbumarchives.blogspot.co.uk/2012/07/rolling-stones-sticky-fingers-1971.html

'Exile On Main Street'(1972) http://alansalbumarchives.blogspot.co.uk/2010/05/news-views-and-music-issue-61-rolling.html

'Goat's Head Soup' (1973) http://alansalbumarchives.blogspot.co.uk/2008/07/review-58-rolling-stones-goats-head.html

'It's Only Rock 'n' Roll' (1974) http://alansalbumarchives.blogspot.com/2014/02/the-rolling-stones-its-only-rock-and.html

'Black and Blue' (1976) http://alansalbumarchives.blogspot.co.uk/2015/11/the-rolling-stones-black-and-blue-1976.html

'Some Girls' (1978) http://alansalbumarchives.blogspot.co.uk/2009/05/news-views-and-music-issue-30-rolling.html

'Emotional Rescue' (1980) http://alansalbumarchives.blogspot.co.uk/2014/11/the-rolling-stones-emotional-rescue-1980.html

‘Tattoo You’ (1981) http://alansalbumarchives.blogspot.co.uk/2012/11/the-rolling-stones-tattoo-you-1981.html

'Undercover' (1983) http://alansalbumarchives.blogspot.co.uk/2013/09/rolling-stones-undercover-1983-album.html

'Dirty Work' (1986) http://alansalbumarchives.blogspot.co.uk/2016/08/the-rolling-stones-dirty-work-1986.html

'Steel Wheels' (1989)http://alansalbumarchives.blogspot.co.uk/2011/09/news-views-and-music-issue-113-rolling.html

‘Voodoo Lounge’ (1994) http://alansalbumarchives.blogspot.co.uk/2017/05/rolling-stones-voodoo-lounge-1994.html

'Bridges To Babylon' (1998) http://alansalbumarchives.blogspot.co.uk/2015/02/the-rolling-stones-bridges-to-babylon.html

'A Bigger Bang' (2005) http://alansalbumarchives.blogspot.co.uk/2016/01/the-rolling-stones-bigger-bang-2005.html

Ronnie Wood and Bill Wyman's Rhythm Kings Solo http://alansalbumarchives.blogspot.co.uk/2016/12/a-short-aaa-guide-to-ronnie-wood-and.html

Rolling Stones: Unreleased Recordings http://alansalbumarchives.blogspot.co.uk/2014/06/another-journey-through-past-darkly.html

Surviving TV Clips and Music Videos http://alansalbumarchives.blogspot.com/2016/12/the-rolling-stones-surviving-tv-clips.html

Non-Album Recordings Part One 1962-1969 http://alansalbumarchives.blogspot.com/2017/01/rolling-stones-non-album-songs-part-one.html

Non-Album Recordings Part Two 1970-2014 http://alansalbumarchives.blogspot.com/2017/01/the-rolling-stones-non-album-songs-part.html

Live/Solo/Compilations Part One 1963-1974 http://alansalbumarchives.blogspot.com/2017/01/the-rolling-stones-livesolocompilationa.html 

Live/Solo/Compilations Part Two 1975-1988 http://alansalbumarchives.blogspot.com/2017/01/the-rolling-stones-livesolocompilation.html

Live/Solo/Compilations Part Three 1989-2015 http://alansalbumarchives.blogspot.com/2017/01/the-rolling-stones-livesolocompilation_30.html

Rolling Stones Essay: Standing In The Shadows https://alansalbumarchives.blogspot.com/2018/05/rolling-stones-essay-standing-in-shadows.html

Landmark Concerts and Key Cover Versions https://alansalbumarchives.blogspot.com/2018/07/the-rolling-stones-landmark-concerts.html

A (Not That_ Short Guide To 15 Of The Best Non-AAA Bands (Nedws, Views and Music Issue 170 Top Fifteen)

This week’s top five/ten/whatever is going to be a little bit different. Originally when I conceived this site I wanted to tell you about some of the best non-AAA albums around and I did indeed cover a handful (Abba’s ‘The Visitors’, Badfinger’s ‘Straight Up’, Jethro Tull’s ‘Warchild’ and Johnny Cash’s Christmas album) before realising that the idea wasn’t really paying off. There are lots of artists I collect and enjoy, but as a sort of ‘sceond tier’ to my main batch of 30 or so artists I can’t live without who make up the AAA list. Writing about artists I don’t know inside out also means I struggle to convey context and knowledge to you, dear readers, and that I end up sounding like another interested fan rather than a knowledgeable one (not that I know everything, of course, but you tell me who else could write 8000 words on a pre-fame 10cc record nobody else has ever heard of?!) I still want to offer up some ideas, however, to interested readers who’ve got this far through the site, either already own or have built up a collection of all the records I’ve mentioned thus far and want a bit of variation. Hence this week’s handy and – comparatively – brief guide to 14 chosen special artists that are worth a look and made one or two indispensible albums everyone should own, even if their canon as a whole is either too poor or too unwieldy to add to the tally of AAA artists. Frankly there’s a few bands here I wish I’d added to my core 101 list, either because their records have really grown on me or because I discovered them too late, long after the site was up and running. Anyway, here’s my guide to what else you might fancy listening to and where to start and my reasons for leaving them out of the ‘site’ as a whole...

Johnny Cash (1955-2003):
I only discovered The Man In Black about a year or so before starting this site and Cash made so many albums in his career (60, including live albums but not compilations) that I’d be hard pressed to cover them all on this site anyway (not to mention the fact that I’ve still got 25 albums to go...) What impresses me most about Cash’s work is his ecleclticism and his bravery in trying new genres and embracing concepts so fully he frequently falls flat on his face. Not every album Cash released is a gem (his 1980s work ‘One Piece At A Time’ is horrid, as are his Christmas album and all but one duet with wife June Carter) but even at his worst Cash’s gruff vocals and earnest ideals shine through, with Cash never less than honest and open about his darker side. I’ve listed my two favourite albums below but really, like Neil Young, you need to hear a little bit of everything he ever made to understand Cash well – the boom-chikka-boom 1950s years, the Americana travelogues of the 1960s, the gospel albums, the ‘drug’ albums and, best of all, the wizened battle-scarred final years with producer Rick Rubin when Cash was poorly but was brave enough to let it show in his music with dignity and grace. Above all I love Cash’s bravery – his ability to empathise with convicts and bring them as close to revolt against unfair social systems as he dares, to sing about his darker side with drink and drugs and to record songs so out of step with everyone else and so controversial most artists would have given up long ago. It seems odd saying that a man ‘died too soon’ at 71, but Cash’s last years were among his finest and we were robbed too soon from the lessons of how to stay dignified and relevant to the end. Album Highlight – ‘Bitter Tears’ (1963) is the bravest album I own, a white American’s attempt to come to terms with the warfare of his ancestors against the native American Indians. It could have gone very wrong, turned either preachy or patronising, but Cash means every word he sings and the backing is as bleak and bare and dignified as the subject matter. Every song is a gem, but the lovely ‘Drums’ and the hilarious ‘Custer’ (with the giggled refrain ‘the General don’t ride well anymore!’ after coming out worst against a bunch of Indians) are particularly superb. Your next best bet: any of the ‘American’ recordings made towards the end of Johnny’s life, especially ‘IV: The Man Comes Around’ (2003), the last album released in the great man’s lifetime.

The Everly Brothers (1957-1973)

As regular readers of this site will know, I love my harmonies. From The Beach Boys to CSNY to lesser known but equally lovely sounds recorded by The Who and 10cc, hearing very different voices combine into one amazing whole moves me far more than flashy guitar solos or strinbg sections ever will. I’d love to say ‘my guys’ invented harmonies, but in truth they simply worked on what was already there from the 1950s – and what was there were two brothers with perfect pitch. The Everlys didn’t write many songs (not till the late 60s anyway), they rarely played instruments and all too often their work got stuck in one place (usually Boudleaux Bryant pop singles). But when they got things ‘right’ – as they did on about half a dozen classic singles and a handful of album tracks – you can almost hear the gears of the 1960s moving into place. Frankly none of their 15 or so albums, even the one they made with The Hollies, work as a whole – hence their absence from the list – but it would be churlish to overlook their handful of claims to fame. As a Hollies fan I owe this duo big time too – it was seeing the Everlys perform (and their grace in giving autographs) that made Allan Clarke and Graham Nash turn to music as a career and Phil Everly’s solo career that gave the world classic Hollies single ‘The Air That I Breathe’. The band split, badly, in the 1970s as all bands with brothers seem to do eventually, but were last seen as the ‘warm-up act’ on the last Simon and Garfunkel tour in 2006. Album Highlight – ‘Temptation’ is simply the greatest song of the pre-rock and roll era. In fact it sounds as if it should belong to the rock and roll era and I’ve waited patiently many years to hear a rock and roll band singing it. The Everly’s version didn’t disappoint when I finally heard it either– it’s tighter than the UK economy in a budget deficit, more raucous than the Spice Girls played backwards through a megaphone and more thrilling than all the rollercoasters in the world laid end to end. In short, its the record the Everlys were born to record and everything else they made is slightly disappointing as a result. This single-only appears on most Everlys compilations which are very much your best bet as a single purchase, although a close second is 1966’s ‘Two Yanks In England’ album. Realising they needed the help of some ‘youngsters’ to seem hip again the Everlys travelled to the UK and phoned up the Beatles for help. They refused, but second choice The Hollies were only too keen to help, backing the band on all of their 12 songs and offering them nine of their own songs (an intriguing mix of the known, obscure and yet-to-be released original compositions). The Everlys turn the sweet ‘Fifi The Flea’ into a melodrama and suck all the life out of one of The Hollies’ greatest moments ‘Have You Ever Loved Somebody’ but cope with the beatier, earlier songs like the gorgeous ‘So Lonely’, ‘I’ve Been Wrong’ and ‘Don’t Run and Hide’ really well.

Dave Dee, Dozy, Beaky, Mick and Titch (1964-72):

The modern view of the 1960s seems really topsy turvy to me. Bands like ‘The Hollies’ and ‘The Searchers’ are dismissed as being ‘too poop’ despite recording some of the heaviest, most intellectual songs of the decade – while bands like ‘The Grateful Dead’ and ‘Jefferson Airplane’ are dismissed for being ‘too stuck in one time’ despite changing style more often than modern bands change their socks. ‘Dave Dee Dozy’ et al are another band who had a great run of classic singles (especially the later, lesser known stuff) but never made the big time because, as a pop band, they were seen as being too ‘lightweight’. Let me tell you, there’s nothing ‘lightweight’ about the last batch of singles, which condemn Richard Nixon long before most people realised he was up to no good and generally wave a fond psychedelic farewell to the hippie dream before most people realised there had even been one. Again, the band never made the list because it took them a while to get going on albums (their first wasn’t till late 1967, when most of the hits had already dried up) and they’re all patchy, but heck three classic singles alone gets them into this ‘extra’ list. Album Highlight – The best of five albums the band released is the first (‘DDDBM&T’, 1967) simply by virtue of including the classic mid-60s single ‘Hold Tight!’ However, you might be best set with a compilation album – that way you also get the band’s two other (comparatively) lost gems, the beautiful ‘The Wreck Of The Antoinette’ and the quintet’s final chart entry, the damning ‘Mr President’.

The Animals (1965-68):

I adore The Animals, who brought a Newcastle gruffness and bluesier, tougher, working class sound to the psychedelic 60s party, and who released one of the best ever run of singles between late 1965 and early 67, right up there with the best of them. However this is another group who can’t make a decent album to save their lives, who used the longplayer to ‘experiment’ and get so far away from their own sound that they alternate between a bad pub covers band and a psychedelic garage band. Eric Burdon is too much of a talent to lose his way entirely and even in his much mocked ‘New Aninals’ era there is muvch to love, thankfully – had the band put ‘San Francisco Nights’ their tribute to the festival ‘Monterey’, their haw-dropping fiddle-led cover of the Stones’ ‘Paint It Black’ (that even surpasses the original) and the classy, bluesy, class protest ‘Hey Gyp’ on one LP it would be one of the most played ibn my collection. Sadly they didn’t – these four songs are strung across three different LPs, two of them doubles, filled up with ‘atmospheric’ bits of nothing and jam sessions dragged out to 20 minutes. Let’s not forget, though, that in 1966 The Animals are at least a shout-in for the world’s greatest bands, relevant, tough and every bit as adventurous as better respected bands – but with a strong melodic touch too. Highly under-rated. Album highlight - The best of the Animals’ work tends to appear on singles (and B sides) so the ‘Complete Singles’ is probably my tip as single albums go, especially the mid period stuff that doesn’t get heard that often nowadays (highlights: the stormy ‘We Gotta Get Out Of This Place’, the rebellious ‘It’s My Life’, the moody ‘Inside Looking Out’ and the best non-AAA psychedelic track ever written ‘When I Was Young’ are all classics of the pop-rock genre).Your next best bet: ‘Winds of Change’ (1967) is the best of the ‘New’ animals containing the band’s psychedelic cover of the Stones’ ‘Paint It Black’ with a violin replacing the sitar and the lovely hippie ballad ‘San Franciscan Nights’. The best Animals track of all, however, is a cover of 60s blues classic ‘Hey Gyp’ which appears on ‘Animalism’.

The Bee Gees (1966-2000):

The Bee Gees were a great band in the late 60s and early 70s, before they sold their soul to the great God of disco and became the punch line for every joke in the 80s and 90s. I was so sad to see the loss of first Maurice and then Robin Gibb before the band had become ‘rehabilitated’ back to the first or second tier of British Bands (or first tier if you count them as Australians). The band’s early teenage years are patchy but impressively good for newbies, the string of three or four albums from the late 60s to the ‘split’ are impressively good and the band were just finding their form again in the 1990s/00s with their last two albums among the best they ever made. I wanted to add this band to our list of greats, if only to get a ‘new’ perspective on Lulu’s marriage from the other angle, but reviewing the two or three great albums would have meant reviewing about half a dozen shocking pieces of falsetto shrieks and dance tunes and I wouldn’t sit through that even for you, dear readers. Take my advice, though, and give the albums below a go, especially the early ones which have a really unique sound even for the eclectic 60s, all orchestras mood swings and lyrics about furniture (chairs and fridges a speciality!)Album Highlight – Definitely ‘First’ (1967, although it’s actually the band’s second, third or fourth depending what Australian releases you count...) with the winning quartet of the atmospheric ‘Holiday’, the deliciously bonkers ‘Every Christian Lionhearted Man Will Show You’, the psychedelic ‘Red Chair Fadeaway’ and the classy ballad ‘To Love Somebody’, rightly covered by lots of AAA musicians and recognised as one of the best songs of the 1960s. Your next best bet: ‘Size Isn’t Everything’ (1993) – the band’s penultimate album - is a strong return to form, a true three-way exploration of the band’s singing and writing talents and highlighted by the gorgeous Rwanda protest ballad ‘Blue Island’.

The Creation (1966-1968):

I wanted to write a ‘top five’ about classic AAA debut singles a few issues back, but frankly no band – not even my beloved 30 – ever made a debut single as great and thrilling as ‘Making Time’, with the world’s greatest guitar riff and a solo played on a guitar with a violin bow and squeals of feedback. Frankly, I’ve never quite been able to think straight again since hearing the power and pizzazz in that one track. So why aren’t The Creation on our album review list? Erm, because they never technically released an album and even their small handful of singles become progressively worse as they go on, making the moniker ‘Creation’ rather an unfortunate one. I’d love to know what this band might have gone on to become – and I’m not the only one, Oasis manager Alan McGee loved this band so much he named his record label ‘Creation’ after them. But fans who’ve heard this band’s first two or three singles almost always cite them as their favourites and I urge you to look out for their greatest moments, particularly the ‘Nuggets’ box set out on ‘Rhino’ of other, similar one or two hit wonders if you have a spare bit of money (or, in my case, a good library). Album Highlight: The band never lasted long enough to give us a full album, but any decent compilation will give you what you need as long as it includes debut single and biggest hit ‘Making Time’, a classy pop song with what I would nominate as the best riff ever written.

Love (1966-70):

Fans claim Arthur Lee’s band are the greatest in the world, regularly voting ‘Pet Sounds With Strings’ album ‘Forever Changes’ into the top of ‘best album’ polls. Most general, casual music fans can’t bear them and think they’re clichéd hippies with a reputation for stealing melodies from past greats. AS ever, I sit in between. I’m probably the one Beach Boys fan who thinks ‘Pet Sounds’ is a bit of a weak link in their catalogue so can’t say I respect ‘Forever Changes’ that much (although the eerie ‘Red Telephone’ is as good a precise of the hippie dream as any Moody Blues or Jefferson Airplane song). In fact none of the band’s four original LPs (I haven’t bought the ‘reunions’ yet) really excel all the way through, but stick the best songs all together and you do have a pretty nifty hour or so set, with some entertaining lyrics and some lovely melodies, when they aren’t being nicked from someone else. Full kudos to Love, too, for being – as far as I can tell – the world’s first mixed-race pop group (beating the Jimi Hendrix Experience by a matter of months). Album Highlight – The much acclaimed ‘Forever Changes’ has its moments, but I would promote either the folk-rock debut album (‘Love’ 1966) with its mixture of lovely harmonies (‘You I’ll Be Following’) and topical social commentary (‘Mushroom Clouds’) although whole great sections appear to have been ‘lifted’ from other songs (‘Signed DC’ is ‘Nights In White Satin’ without the flute). Your next best bet: the esoteric half-great, half-ghastly follow-up (‘Da Capo’ 1967) which features the lovely ‘Orange Skies’, the risqué ‘She Comes In Colours’ and the punk-rock of the band’s greatest moment ‘Seven and Seven Is’. I’d give the side-long jam ‘Revelation’ a miss, though.

Jethro Tull (1967-2001):

Jethro Tull only missed our great long list of artists because, simply, I hadn’t discovered them yet at the time of writing the first draft of the site. I’m still not sure as to whether that was a good thing or not – there’s a great review in there somewhere on witty, indulgent, breathtakingly original albums like ‘This Was’ ‘Benefit’ ‘Stand Up’ ‘Aqualung’ and ‘Thick As A Brick’ – bit I’d hate to have to find something interesting to say about the 1980s harder rock Tull albums which, to be honest, I’ve barely played. I’d also have to spend every review listing whose changed and why in the mercurial Tull line-up, although then again contradictory tramp-come businessman, the controlled yet wildly nihilistic mainstay Ian Anderson alone would keep me going for several million words. Like many fans I love the sound of the early Tull albums – the folkier side of the Moody Blues, but with more of a blues leaning – more than I love many of the actual records, which either go too far or not far enough. But even the weakest albums have ‘something’ about them that makes me go back for more and the characters sketched on these songs are always well crafted and drawn with a lot of love, impressively dark without being judging or ever less than empathetic. Album Highlight: ‘Thick As A Brick’ (1972) is one of my favourite albums; daring, funny and politically charged, packed with wonderful moments especially lyrically. On paper it shouldn’t work at all – one track split over two sides of vinyl lasting 42 minutes, with no gaps (even the ‘break’ between the two sides fades in and out), a sketchy concept about a prodigal school-child’s work getting thrown out of a competition by corrupt, hypocritical adults and so many lurches from scene to scene the listener frequently gets sea-sick. But there’s a great heart beating throughout this track and the final surge, with ‘Gerald’ futilely calling on his childhood heroes to save him from the adult world, is as poignant as they come. Had I owned this record when I started this site it would have been in our ‘core’ top 101 albums for sure. Your next best bet: ‘Stand Up’ (1969), the band’s second record, is a patchy affair but includes two absolute masterpieces in ‘Back To The Family’ (where the narrator flees his busy touring life for home, only to find his family are even more annoying than his bandmates) and the beautiful ‘Reasons For Waiting’.

The King’s Singers (1968-date):

The quieter, mellower side of my record collection is full of harmony group records like these, although the 70-odd King’s Singers records are by far and away the best of the genre. Sung a capella (barring one album with ‘rock’ instruments and one with an orchestra) the King’s Singers have tackled everything since the dawn of time (well, nearly – I’m sure there’s a ‘caveman sounds’ record on the way anyday now). Naturally my list of favourites are full of AAA songs (the band did a so-so Beatles covers album too), but I do love the others as well – especially the madrigal period, where the six-piece really get to show off their mental telepathy and abilities. Like many fans I feel the band were at their peak in the early days, with the likes of Brian Kay in the band, and its their first 10 or so records that are truly groundbreaking and original (George Martin’s production helps the first three). However nearly all their records have something to recommend and, indeed, my two chosen selections seem to have come from the end of their run... Album Highlight – ‘Simple Gifts’ (2008) features ‘Black Is The Colour’, a traditional Appalachian mountain song that’s as beautiful as music ever gets, as well as the best AAA cover the sextet ever did, CSN’s gorgeous ‘Helplessly Hoping’. The rest aren’t as good, but what the heck – this album is worth buying for these two tracks alone. Your next best bet: ‘Good Vibrations’ (1993) is – despite the title – actually near enough a Paul Simon covers album, featuring lovely interpretations of ‘The Boxer’ and lesser known works like ‘Some Folks Lives Roll Easy’, plus a noisy cover of The Beach Boys’ classic as the title track.

Badfinger (1969-78):

Badfinger must be the unluckiest band in rock and pop circles. Everyone knows them now, thanks to re-releases, film soundtracks and their big ‘hit’ ‘Without You’ (which seems to have been a hit for every band and singer around in the 70s except for the superior original). But at the time Badfinger weren’t selling and they were trapped on their heroes, The Beatles’, Apple label at a time when money for all artists but the fab four was being re-drawn and comparisons between the two became unfavourable. Business matters followed the band to Warner Brothers, which proved too much for band genius Pete Ham who hanged himself in 1973 (his writing partner Tom Evans, cheated out of royalties he believed were his, hanged himself in 1983; drummer Mike Gibbons died young from cancer in the 1990s leaving just guitarist Joey Molland left). It could – and should – have been very different, as after two patchy LPs Badfinger recorded a magnificent third, ‘Straight Up’, one which sits proudly near the top of my all time favourite albums. Even that album’s warmth and beauty, however, is coupled with lyrics about the darker side of life and money troubles, with Pete Ham better able than most to translate his doubts and fears into music. The band fall apart again after this, upset at having their masterpiece dismissed so casually, but even then there are plenty of highpoints on every Badfinger record to come (not that there are that many). The irony of this band is that everyone dismissed them at the time for being safe Beatles wannabes – the truth is they were as dark and edgy as the fab four were at their best and they went their separate ways as early as the second LP. AAA fansd might be interested to learn that Paul McCartney produced their first album, George Harrison their third and the much missed Mal Evans – similarly doomed Beatles roadie, shot by police by ‘mistake’ in 1973 – worshipped the band so much he produced their fourth record when the Beatles split left him without a job. Album Highlight: Third album ‘Straight Up’ (1971) is another record I wish I’d known when starting this site as it, too, would have made up our core ‘101’. The much missed Pete Ham is on top form, with the defiant shrug of the shoulders ‘Name Of The Game’ one of my all time favourite songs. The guilt-ridden popfest ‘Baby Blue’ (covered by Hollie Allan Clarke), philosophical ‘Perfection’ and the dark and edgy singalong ‘Day After Day’ happen to be the next best three songs Badfinger ever made too, on a marvellously consistent album with no poor songs on it at all. Your next best bet: Every other Badfinger album is a pale shadow of this one, but the next best is probably ‘Ass’ (1974) – many of the songs here are awful but the classy farewell to Apple on ‘Apple Of My Eye’ and the epic self-questioning ‘Timeless’ (which should really come with a question mark) are the two ‘other’ Badfinger songs you need to own.

ABBA (1972-83):

Everyone knows the story of Abba, from ‘Waterloo’ on Eurovision to not one but two marriage splits within the same band, so I won’t repeat it. Let’s just say that the idea that a band from Sweden breaking the British/American stronghold on the European charts was unheard of before 1972 and has been since. Abba, a cheap joke for much of the 80s and 90s, are now big because of ‘Abba Gold’ (all their worst moments together on one handy disc) and ‘Mama Mia’, a candidate for the world’s worst film and certainly the worst stage musical after the Spice Girls one. Most Abba singles are terrible, dated sounding slices of empty pop, with nonsensical lyrics and featuring some of the most questionable pop videos made which don’t feature Michael Jackson. So why are they on this list? Because Abba used their final few moments, a time when they couldn’t have been more out of fashion, to do absolutely the right thing and record a mature, politically aware, musically adventurous and deeply honest record about their troubled relationships. ‘The Visitors’ might well be the worst selling Abba album, with only one semi-hit that everyone’s forgotten, but it remains their towering achievement by some miles, just as ‘Goodbye’ is the only decent song The Spice Girls ever made, in their dying embers too, sitting far above everything they did. This would have made the core 101 reviews, no question, had I not been faced with the prospect of reviewing such lesser Abba songs as ‘Sitting In The Palmtree’ (throwing coconuts at strangers) and ‘What About Livingstone?’ (what about him?!?) Album Highlight: Again there’s only one Abba album that’s a masterpiece and that’s final album ‘The Visitors’, a brave album about growing older and wiser that offers so much awful than the band’s occasionally godawful singles (shame on you, world, for promoting the tuneless spineless ‘Dancing Queen’ and ‘Waterloo’ over gems like this album’s single ‘One Of Us’. Better still is the alien-invasion title track which out-Kraftwerks Kraftwerk, the best family song ever written ‘Slipping Through My Fingers’, the heartfelt war protest song ‘Soldiers’ and the brave and bare ‘goodbye’ ‘Like An Angel Passing Through My Room’. Your next best bet: Hmmm....You’re better off with silence, to be honest, although ‘Super Trouper’ at least contains the moving title track and classy ballad ‘The Winner Takes It All’ as well as the production-fests ‘Lay All Your Love On Me’ and ‘On and On and On’ in between the schlock (‘Andante Andante’ ‘Happy New Year’ ‘The Piper’ and ‘The Way Old Friends Do’ are all hideous, terrible songs).

Ocean Colour Scene (1989-date):

If Oasis were the 1990s Beatles (and Pulp The Kinks and Blur the Herman’s Hermits) then Ocean Colour Scene were the Hollies – reliable singles artists whose albums didn’t sell as well but were every bit as enjoyable. Britpop brought the band sudden fame with their second record, after one of the longest apprenticeships on this list, but to my ears OCS gre better with age and each album – until the 21st century anyway (I still haven’t bought their last couple of records). Sneering critics claimed the band were simply revisiting the 60s on their songs – but what’s wrong with that? The updated twin guitar sound and especially the drum fills re-create the ‘old; sound for a modern audience far better than any other group I’ve known and, though patchy, the best of their songs is closer to the 60s spirit of peace, harmony and toughness (something most people forget) than even Oasis’. Although none of their albums stays in the first-class carriage throughout, I’ve stuck the best songs from the first four albums onto one handy CD length compilation and I play it a lot. Certainly OCS are one heck of a lot more colourful and adventurous than any other reviewer I’ve read has ever acknowledged and I look forward greatly to completing my collection (I don’t have all that many albums to go now, sadly – just 25 Johnny Cashes!) Album Highlight – Fourth album ‘One From The Modern’ (1999) wins by a nose, thanks to a slightly battier, more psychedelic sound (always a winner with me) the CSNY-style anti-war singalong ‘Profit In Peace’, the slow moody but surprisingly uplifting ‘So Low’, the sweet acoustic interlude ‘Step By Step’ and the heartbreaking re-write of ‘Nowhere Man’ on ‘No One At All’. Your next bet: the famous second Lp ‘Moseley Shoals’ which features the best single of the 1990s Oasis didn’t write as well as three album highlights, the stomping ‘You Git It Bad’, the psychedelic ‘Policeman and Pirates’ and the moving ‘One For The Road’ written for one of the band’s schoolfriends who died in the gulf war. Third album ‘Marchin’ Already’ is the ‘other’ OCS album worth owning in a very close finish for bronze.

Paul Weller (1992-date):

Another artist I’d love to have included on the list proper had I discovered him early enough, I love Paul Weller’s sheer range and power despite the fact that – gulp, confession time – his first band The Jam leave me cold (perhaps they just nicked one Beatles riff too many for my liking?) Weller was always on the cocky and arrogant side of confident, but some mildly interesting but poor selling Style Council albums saw his career get cancelled and saw his solo career on the scrapheap. Add in a failing marriage and you get the first three, maybe four solo Weller albums – wonderful mixtures of bravado and guilt-ridden honesty that veer from worry to certainty from track to track. Weller’s later albums get short shrift (well, until his last two, hopelessly noisy works) but they’re ever so nearly as good – the bare bones sound of ‘Heavy Soul’ is way better than it’s reputation, containing some of Weller’ s most interesting lyrics. Even Weller’s covers album features two of my all time favourite songs (Neil Young’s ‘Birds’ – reviewed here a couple of issues back – and traditional song ‘Black Is The Colour’) and his backing musicians – many of them from Ocean Colour Scene – are exemplary, especially drummer Steve White. Album Highlight – I’m loathe to say it, but critic’s darlings ‘Wild Wood’ (1994) and ‘Stanley Road’ (1995) are still the best single CDs of Weller around. The former features pop-rocker ‘Sunflower’, a superb drumming/guitar attack on ‘Has My Fire Really Gone Out?’ and the gloriously folky retro title track, amongst a few songs that don’t quite match this high standard. The latter features the splendid one-two punch of the strutting ‘I Walk On Gilded Splinters’ (way better than the Dr John original) and the confessional ‘Porcelain God’ which, heard together, sums up Weller’s contradictions better than anything else he’s done. Opening song ‘The Changingman’ is a superb, gritty pop single too. However all Weller albums have something worth hearing, especially the much maligned ‘Heavy Soul’ (1996; the catchy ‘Up In Suze’s Room’ and ruminating ‘Science’ in particular) and my favourite Weller song, the pick-yourself-up-after-a-fall ‘Bull Rushes’ from first album ‘Paul Weller’ (1992).

Stereophonics (1996-date):

If Oasis were the 1990s Beatles then the Stereophonics were The 90s Who – classy tight three minute pop songs with a hard edge and interesting tension between the often bravado music and often sensitive words. Like The Who, it’s the slower, quieter moments that are often the most interesting, with one particularly lovely album standing out for ikts sheer eclecticism, beauty and intelligence (clue: it’s not the famous one, something regular readers will have guessed by now).Like our other bands from the 1990s these albums are patchy (or an unmitigated disaster in the case of fifth album ‘Language Sex Violence Other?’), but for the most part feature more than their fair share of gems sprinkled throughout, held together by Kelly Jones’ gravelly but impressively expression-filled vocals. I’m still new to this band and still have a couple of albums to go but their work is growing on me – far more than it did in the 1990s actually – and, again, I have a CD compilation of their greatest moments from across six albums that I play a lot. Album Highlight – Most bands are failing fast by the time of their fourth album but the much folkier, less harsh ‘You’ve Gotta Go There To Come Back’ (2003) is the band’s masterpiece, especially the harmony-fest that’s ‘Getaway’, the best Beach Boys song Brian Wilson never wrote and the barebones ‘I Miss You Now’, a world away from the heavy thrash of Stereophonics albums one to three. Your next best bet: It’s hard to pick a winner, but third album ‘Just Enough Education To Perform’ (2001) features the band’s best song, their thoughtful muse on rockstar versus family life ‘Everyday I Think Of Money’ and the joyous gallop of ‘Step On My Old Size Nines’ so I’ll plump for that.

Super Furry Animals (1996-date):

If Oasis were the 1990s Beatles then the Super Furries were a (Welsh) Beach Boys. That’s Beach Boys from every era by the way – basic surfing songs give way to deep philospohical insights, ‘Smile’ type weirdness (one track even features carrot-cfrunching in homage to that album’s ‘Veg-Tables’) and moments of Californian-sounding blessed out pop. All these aspects crop up on all Furries albums, seemingly at random, and I applaud the band’s desire to escape fame so steadily (to the extent of breaking up their loveliest pieces with unlistenable bursts of electronic noise). At their best, though, the Furries have shown a glorious evolution across their work and a melodic touch and quirky lyrical originality second to none. When they stop being clever and start being heartfelt their work is up there with the best of my collection – and as that includes their heroes, The Beach Boys, that’s really saying something. Yes, every album is patchy – and again I have a worn out CD compilation to save me going through their lesser moments – but I’m not sure I could take more than one CD of such perfection, I’d have a breakdown and risk turning into a Cliff Richard fan or something. So I’m grateful. I think. Album Highlight – Most fans say the Super Furries delivered their best work at the beginning of their career, but I think the band are really maturing nicely and have reached their peak in the second half of their career. It’s hard to choose between ‘Rings Around The World’ (2001) ‘Phantom Power’ (2003) and ‘Love Kraft’ (2005), as all three albums possess the typical Furries mix of stupendous beauty and first class songwriting (the lop-sided but surprisingly moving gibberish of ‘Run Christian Run’, the Moody Blues-ish ‘Piccalo Snare’ and the CSNY-ish ‘Ohio Heat’ respectively) alongside from really annoying sound effects filled garbage. At their best, though, these albums are as good as music gets. A nod too for the flop single ‘Demons’, one of the greatest 45s ever made, catchy and deep like all singles should be and with a stronger hook than Muhammad Ali. It should have vaulted this band into the limelight, not been left unloved on a singles compilation (‘Songbook’).

Regina Spektor (2001-date):

I’ll start by admitting I only own three Spektor albums – and none of them are up to the experience of seeing Regina in full flow on stage, even if it was only on telly. Too many songwriters – and we’re in the era of female singer-songwriters by the way – pick bland songs which, even if they sing well (as in the case of Adele) they ruin by sticking religiously to one sound that makes all their work sound the same. Not so in Regina’s case, whose as quirky as 10cc on a very quirky day and yet whose best work packs an emotional punch her rivals can’t compete with. Before you think I work for her managerial office, I have to say the riches-to-rags strike rate on her three records is depressingly low – much lower than I expected from her stage shows – and I shall only be buying the rest if I find them cheap (or if I’ve run out of Johnny cash albums to buy!) However, unlike 99% of the artists I collect, Regina has barely started and I feel confident that her best work is in front of her – she certainly deserves more success than anyone else around at the moment and she is at least making slightly bigger splashes with every record, which is an encouraging sign that the record market isn’t all woeful boy bands and empty mindless pop featuring extracts from old, awful records just yet. Album Highlight – I’m still missing quite a bit and Regina has only made five studio albums in title but ‘Far’ (2009) wins by a nose, containing the delicate religious debate of ‘God’ (as even atheists stop laughing at God when faced with their own mortality) and the quirky love song to music ‘Eep’. Your next bet: ‘Begin To Hope’ is as scattershot an album as any in my collection, alternating between brilliance and banality nearly every other line, but the best – songs like ‘Fidelity’ and ‘Samson’ – give me hope that we may yet have an AAA member of the future to add to the pile.

A NOW COMPLETE List Of Top Five/Top Ten/TOP TWENTY  Entries 2008-2019

1) Chronic Fatigue songs http://alansalbumarchives.blogspot.co.uk/2008/08/news-views-and-music-issue-1-top-five.html

2) Songs For The Face Of Bo http://alansalbumarchives.blogspot.co.uk/2008/09/news-views-and-music-issue-2-top-five.html

3) Credit Crunch Songs http://alansalbumarchives.blogspot.co.uk/2008/09/news-views-and-music-issue-3-top-five.html

4) Songs For The Autumn http://alansalbumarchives.blogspot.co.uk/2008/09/news-views-and-music-issue-4-top-five.html

5) National Wombat Week http://alansalbumarchives.blogspot.co.uk/2008/09/news-views-and-music-top-five-national.html

6) AAA Box Sets http://alansalbumarchives.blogspot.co.uk/2008/09/news-views-and-music-issue-6-top-five.html

7) Virus Songs http://alansalbumarchives.blogspot.co.uk/2008/10/news-views-and-music-issue-7-top-five.html

8) Worst AAA-Related DVDs http://alansalbumarchives.blogspot.co.uk/2008/10/news-views-and-music-issu-8-top-five.html

9) Self-Punctuating Superstar Classics http://alansalbumarchives.blogspot.co.uk/2008/10/news-views-and-music-issue-9-top-five.html

10) Ways To Know You Have Turned Into A Collector http://alansalbumarchives.blogspot.co.uk/2008/10/news-views-and-music-issue-9-top-five.html

11) Political Songs http://alansalbumarchives.blogspot.co.uk/2008/11/news-views-and-music-issue-11-top-five.html

12) Totally Bonkers Concept Albums http://alansalbumarchives.blogspot.co.uk/2008/11/news-views-and-music-top-five-totally.html

13) Celebrating 40 Years Of The Beatles' White Album http://alansalbumarchives.blogspot.co.uk/2009/11/top-five-issue-13-40-years-of-beatles.html

14) Still Celebrating 40 Years Of The Beatles' White Album http://alansalbumarchives.blogspot.co.uk/2008/12/news-views-and-music-issue-14-top-five.html

15) AAA Existential Questions http://alansalbumarchives.blogspot.co.uk/2008/12/news-views-and-music-issue-15-top-five.html

16) Releases Of The Year 2008 http://alansalbumarchives.blogspot.co.uk/2008/12/news-views-and-music-issue-16-top-five.html

17) Top AAA Xmas Songs http://alansalbumarchives.blogspot.co.uk/2008/12/news-views-and-music-issue-17-top-five.html

18) Notable AAA Gigs http://alansalbumarchives.blogspot.co.uk/2009/01/news-views-and-music-issue-19-top-five.html

19) All things '20' related for our 20th issue http://alansalbumarchives.blogspot.co.uk/2009/02/news-views-and-music-issue-20-aaa-songs.html

20) Romantic odes for Valentine's Day http://alansalbumarchives.blogspot.co.uk/2009/02/news-views-and-music-issue-22-top-five.html

21) Hollies B sides http://alansalbumarchives.blogspot.co.uk/2009/03/news-views-and-music-issue-23-top-five.html

22) 'Other' BBC Session Albums http://alansalbumarchives.blogspot.co.uk/2009/03/news-views-and-music-issue-24-top-five.html

23) Beach Boys Rarities Still Not Available On CD http://alansalbumarchives.blogspot.co.uk/2009/03/news-views-and-music-issue-25-top-five.html

24) Songs John, Paul and George wrote for Ringo's solo albums http://alansalbumarchives.blogspot.co.uk/2009/03/news-views-and-music-issue-26-top-five.html

25) 5 of the Best Rock 'n' Roll Tracks From The Pre-Beatles Era http://alansalbumarchives.blogspot.co.uk/2009/04/news-views-and-music-issue-27-top-five.html

26) AAA Autobiographies http://alansalbumarchives.blogspot.co.uk/2009/04/news-views-and-music-issue-28-top-five.html

27) Rolling Stones B-sides http://alansalbumarchives.blogspot.co.uk/2009/04/news-views-and-music-issue-29-top-five.html

28) Beatles B-Sides http://alansalbumarchives.blogspot.co.uk/2009/05/news-views-and-music-issue-30-top-five.html

29) The lllloooonnngggeesssttt AAA songs of all time http://alansalbumarchives.blogspot.co.uk/2009/05/news-views-and-music-issue-31-top-five.html

30) Kinks B-Sides http://alansalbumarchives.blogspot.co.uk/2009/05/news-views-and-music-issue-32-top-five.html

31) Abandoned CSNY projects 'wasted on the way' http://alansalbumarchives.blogspot.co.uk/2009/05/news-views-and-music-issue-33-top-five.html

32) Best AAA Rarities and Outtakes Sets http://alansalbumarchives.blogspot.co.uk/2009/06/news-views-and-music-issue-34-top-five.html

33) News We've Missed While We've Been Away http://alansalbumarchives.blogspot.co.uk/2009/07/news-views-and-music-issue-35-top-five.html

34) Birthday Songs for our 1st Anniversary http://alansalbumarchives.blogspot.co.uk/2009/07/news-views-and-music-issue-37-top-five.html

35) Brightest Album Covers http://alansalbumarchives.blogspot.co.uk/2009/07/news-views-and-music-issue-37-top-five.html

36) Biggest Recorded Arguments http://alansalbumarchives.blogspot.co.uk/2009/07/news-views-and-music-issue-38-top-five.html

37) Songs About Superheroes http://alansalbumarchives.blogspot.co.uk/2009/08/news-views-and-music-issue-39-top-five.html

38) AAA TV Networks That Should Exist http://alansalbumarchives.blogspot.co.uk/2009/08/news-views-and-music-issue-40-top-five.html

39) AAA Woodtsock Moments http://alansalbumarchives.blogspot.co.uk/2009/08/news-views-and-music-issue-41-top-five.html

40) Top Moments Of The Past Year As Voted For By Readers http://alansalbumarchives.blogspot.co.uk/2009/08/news-views-and-music-issue-42-top-five.html

41) Music Segues http://alansalbumarchives.blogspot.co.uk/2009/09/news-views-and-music-issue-43-top-five.html

42) AAA Foreign Language Songs http://alansalbumarchives.blogspot.co.uk/2009/09/news-views-and-music-issue-44-top-five.html

43) 'Other' Groups In Need Of Re-Mastering http://alansalbumarchives.blogspot.co.uk/2009/10/news-views-and-music-issue-45-top-five.html

44) The Kinks Preservation Rock Opera - Was It Really About The Forthcoming UK General Election? http://alansalbumarchives.blogspot.co.uk/2009/11/news-views-and-music-issue-46-top-five.html

45) Mono and Stereo Mixes - Biggest Differences http://alansalbumarchives.blogspot.co.uk/2009/11/news-views-and-music-issue-47-top-five.html

46) Weirdest Things To Do When A Band Member Leaves http://alansalbumarchives.blogspot.co.uk/2009/11/nerws-views-and-music-issue-48-top-five.html

47) Video Clips Exclusive To Youtube (#1) http://alansalbumarchives.blogspot.co.uk/2009/11/news-views-and-music-issue-49-top-five.html

48) Top AAA Releases Of 2009 http://alansalbumarchives.blogspot.co.uk/2009/12/news-views-and-music-issue-50-top-five.html

49) Songs About Trains http://alansalbumarchives.blogspot.co.uk/2010/01/news-views-and-music-issue-51-top-five.html

50) Songs about Winter http://alansalbumarchives.blogspot.co.uk/2010/01/news-views-and-music-issue-52-top-five.html

51) Songs about astrology plus horoscopes for selected AAA members http://alansalbumarchives.blogspot.co.uk/2010/02/news-views-and-music-issue-53-top-five.html

52) The Worst Five Groups Ever! http://alansalbumarchives.blogspot.co.uk/2010/02/news-views-and-music-issue-54-top-five.html

53) The Most Over-Rated AAA Albums http://alansalbumarchives.blogspot.co.uk/2010/03/news-views-and-music-issue-56-top-five.html

54) Top AAA Rarities Exclusive To EPs http://alansalbumarchives.blogspot.co.uk/2010/03/news-views-and-music-issue-57-top-five.html

55) Random Recent Purchases (#1) http://alansalbumarchives.blogspot.co.uk/2010/04/news-views-and-music-issue-58-top-five.html

56) AAA Party Political Slogans http://alansalbumarchives.blogspot.co.uk/2010/05/news-views-and-music-issue-60-top-five.html

57) Songs To Celebrate 'Rock Sunday' http://alansalbumarchives.blogspot.co.uk/2010/05/news-views-and-music-issue-61-top-five_21.html

58) Strange But True (?) AAA Ghost Stories http://alansalbumarchives.blogspot.co.uk/2010/05/news-views-and-music-issue-61-top-five.html

59) AAA Artists In Song http://alansalbumarchives.blogspot.co.uk/2010/06/news-views-and-music-issue-63-top-five.html

60) Songs About Dogs http://alansalbumarchives.blogspot.co.uk/2010/06/news-views-and-music-issue-65-top-five.html

61) Sunshiney Songs http://alansalbumarchives.blogspot.co.uk/2010/07/news-views-and-music-issue-67-top-five.html

62) The AAA Staff Play Their Own Version Of Monoploy/Mornington Crescent! http://alansalbumarchives.blogspot.co.uk/2010/07/news-views-and-music-issue-68-top-forty.html

63) What 'Other' British Invasion DVDs We'd Like To See http://alansalbumarchives.blogspot.co.uk/2010/07/news-views-and-music-issue-69-top-five.html

64) What We Want To Place In Our AAA Time Capsule http://alansalbumarchives.blogspot.co.uk/2010/08/news-views-and-music-issue-70-top-five.html

65) AAA Conspiracy Theroies http://alansalbumarchives.blogspot.co.uk/2010/08/news-views-and-music-issue-72-top-ten.html

66) Weirdest Things To Do Before - And After - Becoming A Star http://alansalbumarchives.blogspot.co.uk/2010/08/news-views-and-music-top-ten-aaa-stars.html

67) Songs To Tweet To http://alansalbumarchives.blogspot.co.uk/2010/09/news-views-and-music-issue-74-top-five.html

68) Greatest Ever AAA Solos http://alansalbumarchives.blogspot.co.uk/2010/09/news-views-and-music-issue-75-top-ten.html

69) John Lennon Musical Tributes http://alansalbumarchives.blogspot.co.uk/2010/10/news-views-and-music-issue-77-top-five.html

70) Songs For Halloween http://alansalbumarchives.blogspot.co.uk/2010/10/news-views-and-music-issue-78-top-five.html

71) Earliest Examples Of Psychedelia http://alansalbumarchives.blogspot.co.uk/2010/11/news-views-and-music-issue-79-top-five.html

72) Purely Instrumental Albums http://alansalbumarchives.blogspot.co.uk/2010/11/news-views-and-music-issue-81-top-five.html

73) AAA Utopias

74) AAA Imaginary Bands http://alansalbumarchives.blogspot.co.uk/2010/11/news-views-and-music-issue-82-top-five.html

75) Unexpected AAA Cover Versions http://alansalbumarchives.blogspot.co.uk/2010/12/news-views-and-music-issue-83-top-five.html

76) Top Releases of 2010 http://alansalbumarchives.blogspot.co.uk/2010/12/news-views-and-music-issue-84-top-five.html

77) Songs About Snow http://alansalbumarchives.blogspot.co.uk/2010/12/news-views-and-music-issue-85-top-five.html

78) Predictions For 2011 http://alansalbumarchives.blogspot.co.uk/2011_01_02_archive.html

79) AAA Fugitives

80) AAA Home Towns http://alansalbumarchives.blogspot.co.uk/2011/01/news-views-and-music-issue-88-home.html

81) The Biggest Non-Musical Influences On The 1960s http://alansalbumarchives.blogspot.co.uk/2011/01/news-views-and-music-issue-89-top-five.html

82) AAA Groups Covering Other AAA Groups http://alansalbumarchives.blogspot.co.uk/2011/02/news-views-and-music-issue-90-top.html

83) Strange Censorship Decisions http://alansalbumarchives.blogspot.co.uk/2011/02/news-views-and-music-issue-91-top-ten.html

84) AAA Albums Still Unreleased on CD http://alansalbumarchives.blogspot.co.uk/2011/02/news-views-and-music-issue-92-top-five.html

85) Random Recent Purchases (#2) http://alansalbumarchives.blogspot.co.uk/2011/03/news-views-and-music-issue-93-top-ten.html

86) Top AAA Music Videos http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-issue-94-top-ten.html

87) 30 Day Facebook Music Challenge http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-issue-95-top.html

88) AAA Documentaries http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-top-five-aaa.html

89) Unfinished and 'Lost' AAA Albums http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-issue-97-top-ten.html

90) Strangest AAA Album Covers http://alansalbumarchives.blogspot.co.uk/2011/05/newsa-views-and-music-issue-98-top-ten.html

91) AAA Performers Live From Mars (!) http://alansalbumarchives.blogspot.co.uk/2011/05/news-views-and-music-issue-99-top-ten.html

92) Songs Including The Number '100' for our 100th Issue http://alansalbumarchives.blogspot.co.uk/2011/05/news-views-and-music-issue-100-top-five.html

93) Most Songs Recorded In A Single Day http://alansalbumarchives.blogspot.co.uk/2011/05/news-views-and-music-issue-101-top-five.html

94) Most Revealing AAA Interviews http://alansalbumarchives.blogspot.co.uk/2011/06/news-views-and-music-issue-102-top-five.html

95) Top 10 Pre-Fame Recordings http://alansalbumarchives.blogspot.co.uk/2011/06/news-views-and-music-issue-103-top-ten.html

96) The Shortest And Longest AAA Albums http://alansalbumarchives.blogspot.co.uk/2011/07/news-views-and-music-issue-104-top-ten.html


97) The AAA Allstars Ultimate Band Line-Up http://alansalbumarchives.blogspot.co.uk/2011/07/news-views-and-music-issue-105-top.html

98) Top Songs About Sports http://alansalbumarchives.blogspot.co.uk/2011/07/news-views-and-music-issue-106-top-ten.html

99) AAA Conversations With God http://alansalbumarchives.blogspot.co.uk/2011/07/news-views-and-music-issue-107-top-ten.html

100) AAA Managers: The Good, The Bad and the Financially Ugly http://alansalbumarchives.blogspot.co.uk/2011/08/news-views-and-music-issue-108-top-ten.html

101) Unexpected AAA Cameos http://alansalbumarchives.blogspot.co.uk/2011/08/news-views-and-music-issue-109-top-ten.html

102) AAA Words You can Type Into A Caluclator http://alansalbumarchives.blogspot.co.uk/2011/08/news-views-and-music-issue-110-top-five.html

103) AAA Court Cases http://alansalbumarchives.blogspot.co.uk/2011/09/news-views-and-music-issue-111-top-five.html

104) Postmodern Songs About Songwriting http://alansalbumarchives.blogspot.co.uk/2011/09/news-views-and-music-issue-112-top-five.html

105) Biggest Stylistic Leaps Between Albums http://alansalbumarchives.blogspot.co.uk/2011/09/news-views-and-music-issue-113-top-ten.html

106) 20 Reasons Why Cameron Should Go! http://alansalbumarchives.blogspot.co.uk/2011/09/news-views-and-music-issue-114-top.html

107) The AAA Pun-Filled Cookbook http://alansalbumarchives.blogspot.co.uk/2011/10/news-views-and-music-issue-115-top-five.html

108) Classic Debut Releases http://alansalbumarchives.blogspot.co.uk/2011/10/news-views-and-music-issue-116-top-five.html

109) Five Uses Of Bird Sound Effects http://alansalbumarchives.blogspot.co.uk/2011/10/news-views-and-music-issue-118-top-five.html

110) AAA Classic Youtube Clips Part #1 http://alansalbumarchives.blogspot.co.uk/2011/10/news-views-and-music-issue-119-top.html

111) Part #2 http://alansalbumarchives.blogspot.co.uk/2011/11/news-views-and-music-issue-120-top.html

112) Part #3 http://alansalbumarchives.blogspot.co.uk/2011/11/news-views-and-music-issue-121-top.html

113) AAA Facts You Might Not Know http://alansalbumarchives.blogspot.co.uk/2011/11/news-views-and-music-issue-122-top-ten.html

114) The 20 Rarest AAA Records http://alansalbumarchives.blogspot.co.uk/2011/11/news-views-and-music-issue-123-top.html

115) AAA Instrumental Songs http://alansalbumarchives.blogspot.co.uk/2011_12_04_archive.html

116) Musical Tarot http://alansalbumarchives.blogspot.co.uk/2011/12/news-views-and-music-issue-125-top-23-i.html

117) Christmas Carols http://alansalbumarchives.blogspot.co.uk/2011_12_18_archive.html

118) Top AAA Releases Of 2011 http://alansalbumarchives.blogspot.co.uk/2011_12_25_archive.html

119) AAA Bands In The Beano/The Dandy http://alansalbumarchives.blogspot.co.uk/2012/01/news-views-and-music-issue-128-top-five.html

120) Top 20 Guitarists #1 http://alansalbumarchives.blogspot.co.uk/2012/01/news-views-and-music-issue-129-top-ten.html

121) #2 http://alansalbumarchives.blogspot.co.uk/2012_01_15_archive.html

122) 'Shorty' Nomination Award Questionairre http://alansalbumarchives.blogspot.co.uk/2012_01_22_archive.html

123) Top Best-Selling AAA Albums http://alansalbumarchives.blogspot.co.uk/2012_01_29_archive.html

124) AAA Songs Featuring Bagpipes

125) A (Hopefully) Complete List Of AAA Musicians On Twitter http://alansalbumarchives.blogspot.co.uk/2012_02_19_archive.html

126) Beatles Albums That Might Have Been 1970-74 and 1980 http://alansalbumarchives.blogspot.co.uk/2012_02_26_archive.html

127) DVD/Computer Games We've Just Invented http://alansalbumarchives.blogspot.co.uk/2012_03_11_archive.html

128) The AAA Albums With The Most Weeks At #1 in the UK http://alansalbumarchives.blogspot.co.uk/2012_03_18_archive.html

129) The AAA Singles With The Most Weeks At #1 in the UK http://alansalbumarchives.blogspot.co.uk/2012_03_25_archive.html

130) Lyric Competition (Questions) http://alansalbumarchives.blogspot.co.uk/2012_04_15_archive.html

131) Top Crooning Classics http://alansalbumarchives.blogspot.co.uk/2012_04_22_archive.html

132) Funeral Songs http://alansalbumarchives.blogspot.co.uk/2012/04/news-views-and-music-issue-142-top-five.html

133) AAA Songs For When Your Phone Is On Hold http://alansalbumarchives.blogspot.co.uk/2012/05/news-views-and-music-issue-143-top-five.html

134) Random Recent Purchases (#3) http://alansalbumarchives.blogspot.co.uk/2012/05/news-views-and-music-issue-144-top-five.html

135) Lyric Competition (Answers) http://alansalbumarchives.blogspot.co.uk/2012/05/news-views-and-music-issue-146-top.html http://alansalbumarchives.blogspot.co.uk/2012/05/news-views-and-music-issue-145-top-five.html

136) Bee Gees Songs/AAA Goes Disco! http://alansalbumarchives.blogspot.co.uk/2012/06/news-views-and-music-issue-147-top-five.html

137) The Best AAA Sleevenotes (And Worst) http://alansalbumarchives.blogspot.co.uk/2012/06/news-views-and-music-issue-148-top-ten.html

138) A Short Precise Of The Years 1962-70 http://alansalbumarchives.blogspot.co.uk/2012/06/news-views-and-music-149-top-eight.html

139) More Wacky AAA-Related Films And Their Soundtracks http://alansalbumarchives.blogspot.co.uk/2012/06/top-five-for-news-views-and-music-150.html

140) AAA Appearances On Desert Island Discs http://alansalbumarchives.blogspot.co.uk/2012/07/top-eight-aaa-desert-island-discs.html

141) Songs Exclusive To Live Albums http://alansalbumarchives.blogspot.co.uk/2012/07/news-views-and-music-issue-153-top-10.html

142) More AAA Songs About Armageddon http://alansalbumarchives.blogspot.co.uk/2012/07/aaa-armageddon-songsalbums-top-5-for.html

143) How Every AAA Band Got Their Name (News, Views and Music 155...

What difference does a name make? Arguably not much if you’re already a collector of a certain group, for whom the names on the album sleeves just...

144) AAA Top 10: The Motor Car (News, Views and Music 156)

This week’s top ten honours the humble motor car. The death trap on wheels, the metaphor for freedom, the put-down of capitalism, a source of...

145) AAA Singles With The Most Weeks On The US Billboard Charts (...

This week we’re going to have a look at the 10 AAA singles that spent the most weeks at number on the American chart ‘Billboard’ – and it makes for...

146) AAA Albums With The Most Weeks On The USA Billboard Charts (...

Following on from last issue’s study of the American Billboard charts, here’s a look at which AAA albums spent the most weeks on the chart. The...

147) AAA Songs Featuring Whistling (News, Views and Music Issue 1...

There are many dying arts in our modern world: incorruptible politicians, faith that things are going to get better and the ability to make decent...

148) The Session Musicians Who've Played On The Most AAA Albums (...

This week we’ve decided to dedicate our top ten to those unsung heroes of music, the session musicians, whose playing often brings AAA artists (and...

149) Top 10 Silliest AAA Album Titles (News, Views and Music Issu...

Naturally we hold our AAA bands in high esteem in these articles: after all, without their good taste, intelligence and humanity we’d have nothing to...

150) A Short Guide To 10 AAA Spin-Off Bands (News, Views and Musi...

What do you do when you’ve left a multi-million selling band and yet you still feel the pull of the road and the tours and the playing to audiences...

151) Martin Kitcher "The ATOS Song (You're Not Fit To Live)"

‘The ATOS Song’ (You’re Not Fit To Live)’ (Mini-Review) Dear readers, we don’t often feature reviews of singles over albums or musicians who aren’t...

152) AAA Songs (More Or Less) Exclusive To Film Soundtracks (News...

In honour of this week’s review of an album released to cash in on a movie soundtrack (only one of these songs actually appears in ‘Easy Rider’...and...

153) AAA Alcohilic-hic! Songs (Top 10 News, Views and Music 164)

Hic! Everyone raise a glass to the rock stars of the past and to this week’s feature...songs about alcolholic beverages! Yes that’s right, everything...

Spoken Word Passages On AAA Songs (News, Views and Music Top...

154) The human singing voice carries with it a vast array of emotions, thoughts that cannot be expressed in any other way except opening the lungs and...

156) AAA Songs About Carlisle (News, Views and Music Top Five Iss...

Everyone has a spiritual home, even if they don’t actually live there. Mine is in a windy, rainy city where the weather is always awful but the...

157) AAA Songs About Children Being Born (News, Views and Music I...

Having a family does funny things to some musicians, as we’ve already seen in this week’s review (surely the only AAA album actually written around...

158) The Best AAA Outtakes (News, Views and Music Issue 168)

Some artists just have no idea what their best work really is. One thing that amazes me as a collector is how consistently excellent many of the...

159) A (Not That) Short Guide To The 15 Best Non-AAA Bands http://alansalbumarchives.blogspot.co.uk/2012/11/a-not-that-short-guide-to-15-of-best.html%20%0d160

160) The Greatest AAA Drum Solos (Or Near Solos!) http://alansalbumarchives.blogspot.co.uk/2012/11/the-greatest-aaa-drum-solos-or-near.html%20%0d161

161) AAA Rock ‘n’ Roll Hall Of Fame Acceptance Speeches http://alansalbumarchives.blogspot.co.uk/2012/11/aaa-rock-and-roll-hall-of-fame.html%20%0d162

162) AAA Re-Recordings Of Past Songs http://alansalbumarchives.blogspot.co.uk/2012/12/aaa-re-recordings-of-past-songs-news.html%20%0d163

163) A Coalition Christmas (A Fairy Tale) http://alansalbumarchives.blogspot.co.uk/2012/12/a-coalition-christmas-news-views-and.html%20%0d164

164) AAA Songs About Islands http://alansalbumarchives.blogspot.co.uk/2012/12/aaa-songs-about-islands-news-views-and.html%20%0d165

165) The AAA Review Of The Year 2012 http://alansalbumarchives.blogspot.co.uk/2012/12/the-aaa-review-of-year-2012-news-views.html



166) The Best AAA Concerts I Attended http://alansalbumarchives.blogspot.co.uk/2013/01/the-best-aaa-concerts-i-attended-news.html

167) Tributes To The 10 AAA Stars Who Died The Youngest http://alansalbumarchives.blogspot.co.uk/2013/01/tributes-to-10-aaa-stars-who-died.html



168) The First 10 AAA Songs Listed Alphabetically http://alansalbumarchives.blogspot.co.uk/2013/01/the-first-10-aaa-songs-if-listed.html

169) The Last 10 AAA Songs Listed Alphabetically http://alansalbumarchives.blogspot.co.uk/2013/01/the-last-10-aaa-songs-listed.html%20%0d170

170) Tributes To The 10 AAA Stars Who Died The Youngest http://alansalbumarchives.blogspot.co.uk/2013/02/the-10-youngest-aaa-stars-at-time-of.html%20%0d171

171) The 10 Best Songs From The Psychedelia Box-Sets ‘Nuggets’ and ‘Nuggets Two’ http://alansalbumarchives.blogspot.co.uk/2013/02/the-best-of-two-nuggets-psychedelia.html%20%0d172

172) The 20 Most Common Girl’s Names In AAA Song Titles (With Definitions) http://alansalbumarchives.blogspot.co.uk/2013/02/girls-names-in-aaa-song-titles-from.html 

17 3) NME/Melody Maker Questionairres Filled Out By AAA Bands http://alansalbumarchives.blogspot.co.uk/2013/03/nmemelody-maker-questionairres-filled.html

174) Top Ten AAA Bootlegs http://alansalbumarchives.blogspot.co.uk/2013/03/top-10-aaa-bootlegs-news-views-and.html

175) Days Of The Week AAA Style http://alansalbumarchives.blogspot.co.uk/2013/03/days-of-week-aaa-style-news-views-and.html

176) AAA Musicals http://alansalbumarchives.blogspot.co.uk/2013/03/aaa-musicals-news-views-and-music-issue.html

177) Interesting AAA Line-Ups That Were Or Nearly Were http://alansalbumarchives.blogspot.co.uk/2013/04/ten-interesting-aaa-line-ups-that-were.html

178) The 101 Greatest AAA Songs Of All Time (Maybe?!) http://alansalbumarchives.blogspot.co.uk/2013/04/the-greatest-101-aaa-songs-well-ish-see.html

179) Mrs Thatcher Meets The Devil http://alansalbumarchives.blogspot.co.uk/2013/04/mrs-thatcher-meets-devil-plus-intro-for.html

180) First Recordings By Future AAA Stars http://alansalbumarchives.blogspot.co.uk/2013/04/first-

songsrecordings-by-aaa-stars-news.html

181) The Ten Oldest AAA Songs http://alansalbumarchives.blogspot.co.uk/2013/04/the-ten-oldest-aaa-songs-news-views-and.html

182) AAA Artists (Books Of Paintings) http://alansalbumarchives.blogspot.co.uk/2013/05/aaa-artists-books-of-paintings-news.html

183) AAA Appearances on TV Show 'Colour Me Pop' http://alansalbumarchives.blogspot.co.uk/2013/05/aaa-appearances-on-colour-me-pop-tv.html

184) AAA Years In Song http://alansalbumarchives.blogspot.co.uk/2013/05/aaa-years-in-song-news-views-and-music.html

185) A Tribute To Storm Thorgerson Via The Five AAA Bands He Worked With http://alansalbumarchives.blogspot.co.uk/2013/05/a-tribute-to-hipgnosis-via-five-aaa.html

186) Five Top AAA Apps http://alansalbumarchives.blogspot.co.uk/2013/06/top-five-aaa-apps-news-views-and-music.html

187) The Ultimate Grateful Dead Concert Setlist http://alansalbumarchives.blogspot.co.uk/2013/06/the-ultimate-grateful-dead-concert-top.html

188) Surprise! Celebrating 300 Album Reviews With The Biggest 'Surprises' Of The Past Five Years Of Alan's Album Archives! http://alansalbumarchives.blogspot.co.uk/2013/06/celebrating-300-album-reviews-10.html

189) Top Ten Dave Davies Songs http://alansalbumarchives.blogspot.co.uk/2013/06/top-ten-dave-davies-songs-news-views.html

190) Comparatively Obscure First Compositions By AAA Stars http://alansalbumarchives.blogspot.co.uk/2013/07/comparatively-obscure-debut.html

191) Famous AAA Fathers: http://alansalbumarchives.blogspot.co.uk/2013/07/famous-aaa-fathers-news-views-and-music.html

192) The Best Five AAA Re-Issue CD Series http://alansalbumarchives.blogspot.co.uk/2013/07/the-best-five-aaa-re-issues-series-news.html

193) Evolution Of A Band: Comparing First Lyric With Last Lyric: http://alansalbumarchives.blogspot.co.uk/2013/07/evolution-of-band-comparing-1st-lyric.html

194) Ten Of The Best AAA Riffs http://alansalbumarchives.blogspot.co.uk/2013/07/ten-of-best-aaa-riffs-news-views-and.html

195) Twenty AAA Milestone Moments Part One 1956-66 http://alansalbumarchives.blogspot.co.uk/2013/08/twenty-aaa-milestone-events-part-one.html

196) Twenty AAA Milestone Moments Part Two 1967-80 http://alansalbumarchives.blogspot.co.uk/2013/08/twenty-aaa-milestone-events-part-two.html

197) Eleven Random Recent Purchases http://alansalbumarchives.blogspot.co.uk/2013/08/eleven-random-recent-purchases.html

198) Five AAA Outcasts Who Know More Than They Let Onhttp://alansalbumarchives.blogspot.co.uk/2013/08/five-aaa-outcast-characters-who-know.html

199) That's Why They Call It The (Top Ten) Blues! http://alansalbumarchives.blogspot.co.uk/2013/09/thats-why-they-call-it-bluesaaa-top-ten.html

200) The Monkees In Relation To Postmodernism (University Dissertation) http://alansalbumarchives.blogspot.co.uk/2013/09/university-dissertation-monkees-in.html

201) The Music Never Stopped: AAA Youtube Video #5 http://alansalbumarchives.blogspot.co.uk/2013/09/the-music-never-stopped-alans-album.html

202) Carly Simon's 'You're So Vain': Was It About One Of The AAA Crew? http://alansalbumarchives.blogspot.co.uk/2013/09/carly-simons-youre-so-vain-was-it-about.html

203) Ten AAA Stars In Further Education http://alansalbumarchives.blogspot.co.uk/2013/09/aaa-stars-in-further-education-top-five.html

204) AAA Dramas and Plays http://alansalbumarchives.blogspot.co.uk/2013/09/aaa-dramas-and-plays-news-views-and.html

205) Abandoned AAA Album Covers http://alansalbumarchives.blogspot.co.uk/2013/09/abandoned-aaa-album-covers-top-ten-news.html

206) Chinese Horoscopes AAA Style http://alansalbumarchives.blogspot.co.uk/2013/10/chinese-horoscopes-aaa-style-top-twelve.html

207) Top Ten Songs The Beatles 'Gave Away' http://alansalbumarchives.blogspot.co.uk/2013/10/top-ten-songs-beatles-gave-away-news.html

208) AAA Song Titles That Are The Same As Other AAA Songs http://alansalbumarchives.blogspot.co.uk/2013/10/aaa-songs-with-same-titles-as-other-aaa.html

209) Updates to Our 'Special Editions' #1 http://alansalbumarchives.blogspot.co.uk/2013/10/updates-to-our-special-editions-on.html

210) Most Parodied AAA Albums http://alansalbumarchives.blogspot.co.uk/2013/11/the-most-parodied-aaa-album-covers-news.html

211) Longest Average AAA Songs Per Album http://alansalbumarchives.blogspot.co.uk/2013/11/the-longest-average-aaa-songs-per-album.html

212) Shortest Average AAA Songs Per Album http://alansalbumarchives.blogspot.co.uk/2013/11/the-shortest-average-aaa-songs-per.html

213) An AAA Guide To The Twenty Best Dr Who Stories http://alansalbumarchives.blogspot.co.uk/2013/11/the-20-best-doctor-who-stories-aaa.html

214) AAA Songs and Albums Based On Books http://alansalbumarchives.blogspot.co.uk/2013/12/aaa-songsalbums-based-on-books-and.html

215) Top Ten AAA Concert Quotes http://alansalbumarchives.blogspot.co.uk/2013/12/top-aaa-quotes-from-concerts-top.html

216) Top Ten Surrealist AAA Lyrics http://alansalbumarchives.blogspot.co.uk/2013/12/top-ten-sureallist-aaa-song-lyrics-news.html

217) AAA 'Christmas Presents' we'd most like to have next year http://alansalbumarchives.blogspot.co.uk/2013/12/aaa-christmas-presents-wed-most-like-to.html

218) Review Of The Year 2013 http://alansalbumarchives.blogspot.co.uk/2013/12/review-of-year-2013-news-views-and.html

219) Nominate This Site For A Shorty Award 2014 http://alansalbumarchives.blogspot.co.uk/2014/01/nominate-this-site-for-shorty-award-2014.html

220) A Tribute To Phil Everly http://alansalbumarchives.blogspot.co.uk/2014/01/a-tribute-to-phil-everly-everly.html

221) Dr Who and the AAA (Five Musical Links) http://alansalbumarchives.blogspot.com/2014/01/dr-who-and-five-musical-links-to-alans.html

222) Five Random Recent Purchases http://alansalbumarchives.blogspot.com/2014/01/five-random-recent-purchases-news-views.html

223) AAA Grammy Nominees http://alansalbumarchives.blogspot.com/2014/02/aaa-grammy-nominees-top-twelve-news.html

224) Ten AAA songs that are better heard unedited and in full http://alansalbumarchives.blogspot.com/2014/02/ten-aaa-songs-that-are-better-unedited.html

225) The shortest gaps between AAA albums http://alansalbumarchives.blogspot.com/2014/01/the-shortest-gaps-between-aaa-albums.html

226) The longest gaps between AAA albums http://alansalbumarchives.blogspot.com/2014/02/the-longest-gaps-between-aaa-albums.html

227) Top ten AAA drummers http://alansalbumarchives.blogspot.com/2014/03/top-ten-aaa-drummers-news-views-and.html

228) Top Ten AAA Singles (In Terms of 'A' and 'B' Sides) http://www.alansalbumarchives.blogspot.co.uk/2014/03/top-ten-aaa-singles-and-b-sides-news.html

229) The Stories Behind Six AAA Logos http://www.alansalbumarchives.blogspot.co.uk/2014/03/the-stories-behind-six-aaa-logos.html

230) AAAAAHHHHHH!!!!!!! The Best Ten AAA Screams http://www.alansalbumarchives.blogspot.co.uk/2014/04/the-best-aaa-screams-top-ten-news-views.html

231) An AAA Pack Of Horses http://alansalbumarchives.blogspot.co.uk/2014/04/aaa-songs-about-horses-top-ten-news.html

232) AAA Granamas - Sorry, Anagrams! http://alansalbumarchives.blogspot.co.uk/2014/04/aaa-anagrams-news-views-and-music-issue.html

233) AAA Surnames and Their Meanings http://alansalbumarchives.blogspot.co.uk/2014/04/aaa-surnames-and-their-meanings-news.html

234) 20 Erroneous AAA Album Titles http://alansalbumarchives.blogspot.co.uk/2014/05/twenty-erroneous-aaa-album-titles-news.html

235) The Best AAA Orchestral Arrangements http://alansalbumarchives.blogspot.co.uk/2014/05/fifteen-great-aaa-string-parts-news.html

236) Top 30 Hilariously Misheard Album Titles/Lyrics http://alansalbumarchives.blogspot.co.uk/2014/05/top-thirty-hilariously-misheard-aaa.html

237) Ten controversial AAA sackings - and whether they were right http://alansalbumarchives.blogspot.co.uk/2014/05/ten-controversial-aaa-sackings-news.html

238) A Critique On Critiquing - In Response To Brian Wilson http://alansalbumarchives.blogspot.co.uk/2014/06/a-critique-on-critiquing-in-response-to.html

239) The Ten MusicianS Who've Played On The Most AAA Albums http://alansalbumarchives.blogspot.co.uk/2014/08/the-ten-musicians-whove-played-on-most.html

240) Thoughts on #CameronMustGo http://alansalbumarchives.blogspot.co.uk/2014/11/thoughts-on-cameronmustgo.html

241) Random Recent Purchases (Kinks/Grateful Dead/Nils Lofgren/Rolling Stones/Hollies) http://alansalbumarchives.blogspot.co.uk/2014/12/six-random-recent-purchases-kinksg.html 

242) AAA Christmas Number Ones http://alansalbumarchives.blogspot.co.uk/2014/12/aaa-christmas-number-ones.html 

243) AAA Review Of The Year 2014 (Top Releases/Re-issues/Documentaries/DVDs/Books/Songs/ Articles  plus worst releases of the year) http://alansalbumarchives.blogspot.co.uk/2014/12/aaa-review-of-year-2014.html

244) Me/CFS Awareness Week 2015 http://alansalbumarchives.blogspot.co.uk/2015/05/mecfs-awareness-week-at-alans-album.html

245) Why The Tory 2015 Victory Seems A Little...Suspicious http://alansalbumarchives.blogspot.co.uk/2015/05/why-tory-victory-seems-deeply.html

246) A Plea For Peace and Tolerance After The Attacks on Paris - and Syria http://alansalbumarchives.blogspot.co.uk/2015/11/a-plea-for-peace-and-toleration.html

247) AAA Review Of The Year 2015 http://alansalbumarchives.blogspot.co.uk/2015/12/the-aaa-review-of-year-2015.html

248) The Fifty Most Read AAA Articles (as of December 31st 2015) http://alansalbumarchives.blogspot.co.uk/2016/01/the-fifty-most-read-aaa-posts-2008-2015.html

249) The Revised AAA Crossword! http://alansalbumarchives.blogspot.com/2016_07_10_archive.html

250) AAA Review Of The Year 2016 http://alansalbumarchives.blogspot.com/2016/12/the-aaa-review-of-year-2016.html

251) Half-A-Dozen Berries Plus One (An AAA Tribute To Chuck Berry) http://alansalbumarchives.blogspot.co.uk/2017/03/an-aaa-covers-tribute-to-chuck-berry.html

252) Guest Post: ‘The Skids – Joy’ (1981) by Kenny Brown  https://alansalbumarchives.blogspot.co.uk/2017/06/guest-post-skids-joy-1981.html

253) AAA Review Of The Year 2017 https://alansalbumarchives.blogspot.co.uk/2017/12/the-aaa-review-of-year-2017.html 

254) Guest Post: ‘Supertramp – Some Things Never Change’ by Kenny Brown https://alansalbumarchives.blogspot.com/2018/06/guest-review-supertramp-some-things.html

255) AAA Review Of The Year 2018 https://alansalbumarchives.blogspot.com/2018/12/the-aaa-review-of-year-2018.html

256) AAA Review Of The Year 2019 plus Review Of The Decade 2010-2019 https://alansalbumarchives.blogspot.com/2019/12/the-alans-album-archives-review-of-year.html

257) Tiermaker https://alansalbumarchives.blogspot.com/2019/06/alans-album-archives-on-tiermaker.html

258) #Coronastock https://alansalbumarchives.blogspot.com/2020/04/coronastock.html

259) #Coronadocstock https://alansalbumarchives.blogspot.com/2020/05/coronadocstock.html