♫ An Old Favourite I’m Currently Grooving
To: “Warchild” (Jethro Tull, 1974) “Skating away on the thin
ice of a new day”...:
Not the best of Tull albums by a long shot, but one of the
most impressive from an experimental point of view. The story goes that
following the homeless epic ‘Aqualung’, an album that only became seen as a
concept album after the release despite the fact that most of the tracks
feature some poor down and out soul, lead singer, writer and one-legged
flautist Ian Anderson decided to make the mother of all concept albums and duly
delivered two of the strangest albums ever made; ‘Thick As A Brick’ (with a
42-minute track about a poem submitted by a 12-year-old into a national poetry
competition which was then censored) and ‘A Passion Play’ (for which your guess
is as good as mine as to what on earth is going on!) Getting slightly bored
with the format, next album ‘Warchild’ isn’t really a ‘concept’ album either—it
certainly doesn’t have much to do with war or children as its title
suggests—but it sounds like it should be. Most of the tracks are linked by
sound effects, mainly tinkling cutlery and glasses as if the songs are being
overheard at some dinner party, which arguably gives the tracks surrounding
them a feeling of unity that they don’t deserve.
It’s a patchy album this, but well worth getting for one well
renowned classic and two forgotten gems. ’Skating away on the thin ice of a new
day’ is as beautiful as it sounds and is easily the best of Tull’s occasional
pastoral songs. The feeling of renewal and of each day giving us a new chance
to better ourselves has never sounded lovelier or more enticing and Anderson ’s flute-playing
is at its complicated breathy best here. Elsewhere, there are two fine and
impressively peculiar rockers to enjoy. ‘Sealion’ starts off like one of the
heaviest rockers in the Tull back catalogue but somehow loops it’s lopsided
riff back into the childlike carnival chorus every so often as if the whole
thing is a game and not as serious as the narrator makes it sound. The strange
juxtaposition really wouldn’t work for most tracks—but here the idea is very
clever, mirroring the angry, controlling narrator’s desperate attempts to make
something of himself only to end up back in exactly the same laughable
position, like a sealion performing tricks for others to see in some bizarre
carnival. ‘Two Fingers’ is just as good but just as strange, mixing peaceful
and nosy sections together because the narrator of this one seems to be unsure
whether to work with the system or send it up. A bit like the record itself,
which is one of the politest rebel-rousing albums of the turbulent early 1970s!
Most reviled moment: annoyingly, the best known track —how often does that seem
to happen on this list? - is easily the worst, as the semi-hit single ‘Bungle
in the Jungle’ is a one-joke line in search of a song and a decent tune. Ah
well, that’s what CD skip buttons were invented for! Overall rating: ♫♫♫♫♫ (5/10).
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