'Rollercoaster Ride' - The Alan's Album Archives Guide To The Music Of Belle and Sebastian Is Available In E-Book Form Now By Clicking Here
1) Rhoda
(Stuart Murdoch Demo circa 1994)
Before there
even was a 'Belle and Sebastian' there was a 'Rhoda'. This fascinating tape is
the earliest recording of Stuart Murdoch we have and was most likely taped in
the room where he was confined to bed between around 1987 and 1994. While it's
the only true solo Murdoch recording there is, what's noticeable is how close
to B and S' later style this is: it's the tale of a strong but unhappy female figure
and is told not in overblown romantic terms but in a
laidback impressed kind of a way that's pure Murdoch: 'I'm in love
with a certain girl, she's a simple person' he sings, not as young as she
looks, but who is in this day and age?' Hilariously this girl causes him to
break out not only in a fever but 'goosebumps and malaria' as well! Also
Murdoch is the way the girl mysteriously turns into a 'boy' for a second half
of the song, as if there's no difference between the two! The tape is so raw
there's even a 'gap' where the song passes from one side of the tape to the
other!
2) London
Has Let Me Down (Demo circa 1995)
The demo tape
that so impressed Alan Rankine it got the band signed up as that years'
'Electric Honey' student release contained - as far as we know - five songs.
Two of them - we think - were released officially: the demo version of 'The
State I Am In' and 'Belle and Sebastian' itself (which both appeared on the
band's first EP 'Dog On Wheels'). The other three we've included here and its
curious that they were passed over for the 'Tigermilk' album in favour of songs
that seem to have been so new they weren't even demoed. After all it was this
tape that got the band their first release. 'London Has Let Me Down' is on the
one hand very in keeping with what's to come: its narrator is a tiny fish in a
big pond and doesn't like it - its effectively a prequel to 'Seymour Stein', a
cry of 'you won't change me' after getting dazzled by the bright lights too
many times. Just listen to that first verse: 'London has let me down, I'm kind
of bored with this town, but the only thing keeping me going is the promise of
getting a certain per cent'. This is then followed with what is almost the
opening verse from 2001's 'Don't Leave The Light On, Baby': 'I did a stupid
thing, followed a stupid dream...' There's even a snippet of chat from a TV
included before the track on the bootleg, which assuming it's not a mistake is
an early attempt at B and S using random bits of chat in their songs (a lot of
'Tigermilk' will do the same). However of all the Belle and Sebastian songs out
there released and unreleased this is the only one that comes close to their
usual critical peg of being 'twee': the melody is a sing-songy nursery rhyme,
the accompaniment is some heavy-handed drumming and what sounds like a
children's keyboard and there's none of the toughness B and S will go on to use
in either music or lyrics. Not a lost classic, then, and it probably shouldn't
have made the album (although I'd still have preferred it to 'Electric
Renbaisaance'!) but you can certainly hear the talent already.
3) Hurley's
Having Dreams (Demo circa 1995)
'Hurley' begins
with someone (Murdoch? Geddes?) practicing their scales before Stuart awkwardly
uses double-tracking for the first time and a backing of guitar, tambourine and
a melodica (a keyboard you blow down - seriously if you've never had one of
these in your life you've never lived, well you have obviously but your life
has clearly been far too quiet). Even this early on the lyrics must surely have
been about Isobel, as the character 'Hurley' follows is out of the same mould
of feisty, pretty rebels ('Here she comes in the April sun, in her dungarees
and up for fun!') and she clearly has a big impact on the narrator who goes on
to say that 'we indulge ourselves in creating' (which isn't a bed epitaph for B
and S when you think about it). Of course, this being a Murdoch song, it all
goes wrong too quickly, with her eight months pregnant and him watching his
'dreams' being put on hold - until he holds his new-born baby, that is, and
watches him having his own 'dreams'. That description almost makes this sound
like a typical song of the sort somebody else might conceivably write, but
Murdoch is already using the kind of sentences no one else in their right mind
would want to use: 'Hurley dreams of the time he was a horse in Czechoslovakia'
is my favourite, closely followed by 'She does a handstand but maybe it's not
that good for the baby!' The best song on the demo tape not to find an official
release, although again the tune is a bit undeveloped by Murdoch's later high
standards.
4) The
Loneliness Of The Middle Distance Runner (Demo circa 1995)
I'll be honest
with you - I don't know whether this song should be here or not. This 'demo'
sounds much more of a band performance than the other songs on the demo tape
and B and S did of course return to the song (it's one of the B-sides on the
'Jonathan David' single in 2000) - which would make this the only song on the
demo tape the band did return to, apart from 'The State I Am In' and that was
re-recorded straight away! This sounds like an early tape though: as well as a
similar sound quality to the other two songs above the band clearly don't know
each other that well yet and play over rather than with each other, while
Stuart doesn't quite have all the lyrics or his 'moody vocal' quite down as
yet. Isobel offers a nice harmony vocal in places that isn't there on the
finished version though and Sarah valiantly tries to add a cello part that. for
now, doesn't sound like it fits (the band will find their unique style more or
less straight away when they come to make the album proper in 1995, about a
year later!)
5)
Pocketbook Angel (Unreleased song circa 1995)
A rare example
of an unreleased studio Murdoch song. We don't for certain when this song was
recorded - it's not actually part of the 'demo' tape that got the band signed -
but I've plumped with this dating based on the fact that when asked about this
track on the Belle and Sebastian website Stuart Murdoch added that it was
'early one' from the first recordings by the band. He also adds that it was
submitted to Jeepster as a possible 'future release' sometime in the 1990s
(possibly as part of the 'Dog On Wheels' EP releases in 1997, made up of old
recordings) but that the band rejected it before accidentaly leaking the demo
he'd sent to them ('Strange Behaviour!' as Murdeoch adds in his Q and A!) The
lyrics are pure Murdoch: his narrator's latest muse is a girl who keeps writing
down everything she experiences in life down as one big diary entry and takes
her pocketbook with her everywhere. What's more his muse sounds a little, umm, mad.
'I know she fajes her limp, 'cause I saw her in Littlewoods...she just wants to
be goofy' runs verse two while a later verse features the wonderful rhyming
couplet 'She got it all on a computer disk 'cause she's a business analyst!'
The song is worth releasing for that alone, although sweet as 'Pocketbook
Angel' is she's a minor gem that would have made a good B-side rather than a
work of unbridled genius to sit alongside Stuart's best.
6)
Tigermilk ('For Fans Only' soundtrack 1995)
'Tigermilk' was
the actual name of an instrumental that was recorded as part of the first album
session but wasn't used in the final tracklisting - even though the album ended
up using the name instead. A rather curious, tuneless duet between mournful
mouthorgan and upbeat fiery guitar drenched in echo (both presumably played by
Stevie), it's nowhere near as well recorded as the rest of the first album and
may well have been a rehearsal than an actual bona fide take. Still, as the
only genuine outtake from that classic first album that's come to light to date
its still fascinating and was a welcome addition to the 'For Fans Only' DVD
where it accompanies a montage of Belle and Sebastian live footage and is
sandwiched between 'Legalk Man' and 'The Wrong Girl'.
7) Paper
Boat (Unreleased Stuart David song 1998)
Bassist Stuart
David was rather underserved during his six years with Belle and Sebastian,
writing just four songs for the band. In truth, three of them can't really be
counted as 'songs' - they're monlogues, sometimes comic, sometimes sad, set to
music. 'Paper Boat', though is an actual bona fide song and a lovely one at
that - it might well be the single best song in this article in fact.Sadly the
band only played it once (during a 'Black Session' TV spot in France in 1998)
and don't seem to have recorded a studio version of it. They should have done:
Mick Cooke's trumpet is the perfect accompaniment to this sweet and gentle song
that sounds like a cross between Edward Lear and Whicker's World. 'Maybe when
we wake up in the morning, maybe when the darkness begins to fade, in a paper
boat we'll both just float away, past the Church where Jesus saves, up and down
upon the waves, sailing off towards adventures of our own'.
8) Poupee
De Cire, Poupee De Son (Unreleased Serge Gainsbourg Cover 1998)
The only time
Belle and Sebastian covered a Eurovision Song Contest winner was Isobel
Campbell's brave stab at a Serge Gainsbourg song that wo for Luxemborg in 1965.
The title basically means 'wax doll, rag doll' and is an early example of the
contest laughing at itself, something only the British seem to do nowadays
(although with the entrants we've had recently you have to get through the
night somehow). The band only performed this song once, also as part of the
'Black Sessions' for a French TV station and it was included in the 'For Fans
Only' DVD.
9)
Landslide (Unreleased Song 1999)
Belle and
Sebastian's appearance at the Bowlie Weekender saw lots of unique songs played
by Belle and Sebastian for the only time. Isobel sings lead once again on her
own compositon 'Landslide' (not the Fleetwood Mac song as so
many Youtubers seem to think), joined by 'The Maisonettes' (the two other
females in the band who get their own credit on the 'Legal Man'
single) and Stuart Murdoch on saxophone. She does a good job on a sweet song
that's the missing stepping stone between the production number of 'Legal Man'
and the breathier, more reflective songs on Isobel's 'Gentle Waves' project the
same year. The song would have made a fine addition to that album, actually,
even though it naggingly sounds like something else (Gilbert O'Sullivan's
'Alone Again Naturally'?!) This clip was included as an extra on the 'For Fans
Only' DVD.
10) The
Kids Are Alright (Unreleased Live Who Cover 1999)
Taped the same
day, this is Belle and Sebastian's raw and under-rehearsed one-off cover of a
classic Who song from 1965 (hear it on debut album 'My Generation'!) with
Stevie and Chris sharing lead vocals while Mick, Isobel, Sarah and Stuart
harmonise. Richard Colburn is having great fun pretending to be Keith Moon, but
the return of the dreaded melodica wasn't one of Stuart's better ideas! This
clip was included as an extra on the 'For Fans Only' DVD.
11) Darlin'
(Unreleased Live Beach Boys Cover 2002)
This version of
a Beach Boys classic sung by Stevie on the 'For Fans Only' DVD extras is great
- all 60 seconds of it, before the track annoyingly fades. Belle and Sebastian
have a lot in common with the post-breakdown Brian Wilson Beach Boys of 1967-68
and they're homegrown 'family' vibe works well on this track, even if they mess
up slightly by taking things too fast. Stevie admits at the start that he's
nervous taking on 'Carl Wilson's greatest ever vocal' but Stuart doesn't help
by first interrupting to say that they could play The Eagles instead (the
Coachella backdrop does indeed look like the cover from 'Hotel California') and
then not being ready when the song starts! Hopefully some day the whole of this
song will be unreleased - or is it cut where it is because it all grinds to a
sticky halt?
12) The Boy
With The Thorn In His Side (Unreleased Smiths Cover circa 2004)
Stuart is a big
fan of 'The Smiths' - his favourite apparel onstage is one of the band's tour
T-shirts, so it's odd given Belle and Senastian's penchant for obscure covers
that the band didn't tackle a Morrisey/Marr song any earlier. Typically,
Murdoch didn't choose an obvious cover but a single that only reached #23 in
the UK charts in 1985 (when Stuart was 18, a prime age for music collecting so it's
often thought - it didn't work for me though, that's when The Spice Girls were
big). Perhaps the band chose the song because of its B and S themes of sticking
it to the music industry (the 'thorn in the side' in the song), although
typically The Smiths are far more forward about that sort of thing than B and S
ever would have been. The result comes out sounding very much like a Belle and
Sebastian song with Stevie's characteristic jangly guitar and Richard's
characteristic drum fills.
A Now Complete Link Of Belle and Sebastian Articles Available
To Read At Alan’s Album Archives:
'Tigermilk' (1995) http://alansalbumarchives.blogspot.co.uk/2008/07/review-98-belle-and-sebastian-tigermilk.html
'If You're Feeling Sinister' (1996) http://alansalbumarchives.blogspot.co.uk/2010/11/news-views-and-music-issue-82-belle-and.html
‘The Boy With The Arab Strap’ (1998) http://alansalbumarchives.blogspot.co.uk/2012/11/belle-and-sebastian-boy-with-arab-strap.html
‘Fold Your Hands, Child,
You Walk Like A Peasant’ (2001) http://www.alansalbumarchives.blogspot.co.uk/2013/07/belle-and-sebastian-fold-your-hands.html
'Storytelling' (2002) http://alansalbumarchives.blogspot.com/2017/02/belle-and-sebastian-storytelling-2002.html
'Push Barman To Open Old Wounds' (EP compilation 2003) http://alansalbumarchives.blogspot.co.uk/2008/07/review-100-belle-and-sebastian-push.html
'Dear Catastrophe Waitress' (2004) http://alansalbumarchives.blogspot.co.uk/2012/03/news-views-and-music-issue-139-belle.html
'Push Barman To Open Old Wounds' (EP compilation 2003) http://alansalbumarchives.blogspot.co.uk/2008/07/review-100-belle-and-sebastian-push.html
'Dear Catastrophe Waitress' (2004) http://alansalbumarchives.blogspot.co.uk/2012/03/news-views-and-music-issue-139-belle.html
'The Life Pursuit' (2006) http://alansalbumarchives.blogspot.co.uk/2014/09/belle-and-sebastian-life-pursuit-2006.html
'Write About Love' (2010) http://alansalbumarchives.blogspot.co.uk/2011/01/news-views-and-music-issue-86-belle-and.html
'Write About Love' (2010) http://alansalbumarchives.blogspot.co.uk/2011/01/news-views-and-music-issue-86-belle-and.html
'God Help The Girl' (Stuart Murdoch Film) (2014) http://alansalbumarchives.blogspot.co.uk/2015/02/belle-and-sebastianstuart-murdoch-god.html
Girls In Peace Time Just Want To Dance (2015) http://alansalbumarchives.blogspot.co.uk/2015/06/belle-and-sebastian-girls-in-peacetime.html
Belle and Sebastian: Existing TV Clips http://alansalbumarchives.blogspot.co.uk/2014/09/belle-and-sebastian-existing-tv-clips.html
Belle and Sebastian: Existing TV Clips http://alansalbumarchives.blogspot.co.uk/2014/09/belle-and-sebastian-existing-tv-clips.html
Belle and Sebastian: 12 Unreleased Songs http://alansalbumarchives.blogspot.co.uk/2014/09/belle-and-sebastian-12-unreleased-songs.html
Belle and Sebastian: Non-Album Songs http://alansalbumarchives.blogspot.co.uk/2014/09/belle-and-sebastian-non-album_29.html
Belle and Sebastian: Solo/Live/Compilation/Rarities
Albums http://alansalbumarchives.blogspot.co.uk/2014/10/belle-and-sebastian-assorted.html
Essay: B and S Talkin’
‘Bout My Generation https://alansalbumarchives.blogspot.co.uk/2017/12/belle-and-sebastian-essay-talking-bout.html
Five Landmark Concerts and
Three Key Cover Versions https://alansalbumarchives.blogspot.co.uk/2018/02/belle-and-sebastian-five-landmark.html
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