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Well it had to happen sometime: finally after eight years we've run out of AAA 'core' Christmas albums to review. What we do have however are a few bits and pieces from our Monkees book to 'preview' for you all linked to a festive theme.The Monkees have always brought goodwill to all men '...And I'll tell you something else too, the same thing goes for Christmas!' So here is a non album Spanish carol, an obscure band Christmas single, a Davy Jones solo album and the one and only Christmas episode of the Monkees TV series, which hopefully will be enough to keep you going till the new year (let's face it, you're still listening to all those albums we told to you to get as xmas presents this year to read this anyway!...) There'll be more monkee-ing around from us next year (after we've covered the Lennons, Lindisfarnes and McCartneys!)
Recorded
for the Monkees' TV show's one and only Christmas episode in 1967, traditional
Spanish carol [ ] 'Riu Chiu' was recorded by
the band in the studio as well, both
versions a capella (the two versions have since been released on CD, though the
studio one is more common). Either
versions is jaw-dropping - the TV version features only our third chance to
hear all four Monkees at work (after 'I Don't Think You Knew Me At All' and
'Zilch') and is, amazingly, sung live with no mistakes; the studio version
(with producer Chip Douglas on one of the last tracks he made with the band
singing a quieter, higher part instead of Davy, missing for unknown reasons) is
even stronger with some of the best vocals of any Monkee recording. Micky
shines on both versions tackling the foreign language with aplomb, Peter
finally gets to sing in his natural bass range and unusually Mike takes the
falsetto part. Chip Douglas had long loved the song and probably taught it to
the band when they discussed what track to do for their special - you can hear
a very young Chip singing it as part of the Modern Folk Quartet on a 1964 album
which, funnily given its two Monkee connections, was titled 'Changes' (they're
the name of the band's last album and the working title for feature film 'Head'
if you haven't got that far yet!) It
seems odd that the band should go to all the effort of singing it twice; was
the studio take a 'backup' in case the band messed up on the day of the take?
Interestingly the sleevenotes for 'Missing Links Two' state that the studio
take was recorded as early as August 1967 - though I could well imagine the
Christmas episode had been written by then, it didn' actually start filming
until November. For those who didn't get to see our discussion of this lovely
carol on our 'top Christmas songs' top ten a while back, it concerns the events
shortly before The Nativity and the contrast between the primitive life on
Earth and Jesus being carried safely in the Virgin Mary's tummy. Mary is
apparently 'made impervious to sin and even original sin this virgin did not
have', which is itself enough to fend off rabid wolves (don't try this at home,
though, kids), while a choir of angels follow her path. The title doesn't
actually translate at all and is a nonsense line attributed to the sound of a
nightingale singing as she follows the Virgin along her way. Find the studio version on: 'Missing Links Two' (1990) and
'The Definitive Monkees' bonus disc, while the TV version can be heard on the
deluxe edition of 'Pisces, Aquarius, Capricorn and Jones LTD'
Davy Jones "Christmas Jones"
(**,
'1976')
When
I Look Back On Christmas/Winter Wonderland/Rudolph The Red-Nosed
Reindeer/Silver Bells/God Rest Ye Merry Gentlemen/Hark The Herald Angels
Sing/White Christmas/Mele Kalimaka/This Day In Bethlehem/Silent Night/Rockin'
Round The Christmas Tree/When I Look Back On Christmas
The
CD edition adds: Manchester Boy/The Greatest Story Ever Told/White Christmas
(Fanclub Flexidisc Version)
"Above all this bustle you'll hear
silver bells..."
It seems
such an obvious idea that I'm amazed it didn't work - Davy was hired to make an
album in a hurry for the Christmas market so he decided to do just that,
revisiting lots of Christmas carols and a few more contemporary festive pieces
for the yuletide market. After all, the few people still buying Monkee records
were now mums and dads who got most of their records in their Christmas
stockings and of all four Monkees, Davy's fans were in many ways the loyallest,
ready to buy his records thick or thin. Longterm Monkees fans were relieved to
hear that Davy was teaming up with Monkee producer Chip Douglas for the first
time since 1968 (with a few recordings made with Micky in 1969): what could
possibly go wrong?
Well,
let's just say that the record label weren't as keen on a festive album as Davy
was and did as little to promote it as they could get away with (few fans even
know of this album, which disappeared quite quickly and has only been out since
on a semi-authorised (ie Davy and estate didn't plan it but can't sue because the
label licensed the rights) release in the mid-90s. The song choices are a bit
odd, like many a Christmas record, and the slightly artificial anodyne
production brings out the scrooge in me more than my inner festive cheer. This
album was also recorded in the summer in Hawaii in the baking heat - every
Christmas album in the Western world has to be made early, that's just the way
they work, but this is the only Christmas album I know that was recorded in a
Hawaii heatwave (Chip had a studio there, in case you're wondering why). This
album is certainly not on a par with the quiet brilliance of 'Riu Chiu' as Davy
wastes his voice singing songs not worthy of his talent like 'Winter
Wonderland' and 'Rudolph'. In Beatle terms it's a 'Wonderful Christmas Time' not
a 'Happy Xmas (War Is Over)'.
As ever,
though, there's a couple of interesting gifts along with the stocking full of
coal. Usually I hate backing singers, but this lot go nicely with Davy's voice
and add a lot of pizzazz to proceedings, covering up the fact that Davy is on
auto-pilot and occasionally quite wobbly. 'When I Look Back On Christmas' is an
ok-ish Chip Douglas original, 'Silver Bells' is a rarer carol with a touch of
class most of the more famous songs don't possess, 'Silent Night' is pretty if
very over-70sed and the more traditional 'This Day In Bethlehem' is nicely
handled, with a seriousness the rest of this record sadly lacks. This album
deserves to be much better known than it is - though at the same time don't
expect a lost classic: this is a Christmas album with the tinsel turned up
high, only one mark higher than a Christmas 'turkey'.
Perhaps
the best thing about this record is the name: did the James Bond villain named
'Christmas Jones' from 'The World Is Not Enough' get her name from this record?
She is, after all, quite short with twinkly eyes and seems to get muddled up in
spy rings quite easily, although admittedly I don't remember a Monkee episode
where Davy is a nuclear physicist who survives an attack on a nuclear
submarine...
Given
the speed at which The Monkees were made to record albums, I'm surprised they
never did the ol' 1960s fallback of a festive LP. The Monkees' party sound and
hopeful vibes are well suited to Christmas
spirit and as Davy, Micky and an inaudible Peter put it in a rare festive
single (originally released solely to the core faithful who were still members
of the Monkee fanclub and later released as a 'proper' but very poor-selling
single) [ ] 'Christmas Is My Time Of Year'. Original
Christmas songs are, famously, awful (especially AAA ones it seems) but
actually Douglas/Kaynan's song isn't bad, with a calmer atmosphere and a more
inventive melody line and chord changes than most (usually festive songs try to
get away with murder by keeping things simple because it's 'only' a Christmas
song). Often songs that try to be clever go too far the other way and don't
sound that Christmassey either, but this song has the perfect beat for sleigh
bells and 'steals' a burst from 'Hark! The Herald Angels Sing' on the chorus
that works rather well. It's nice, too, to hear Micky and Davy together as
there are very few recordings featuring both so equally, with the pair swapping
verses and coming together for the singalong choruses. Most excellent and it's
a shame there wasn't a full album of this stuff to follow - Davy's rather
Scroogelike Xmas solo is no substitute! Find it on:
Good luck tracking this one down - it was only ever made available as a ** rare
single!
For
the B-side Davy solo was dreaming of a.... [ ] 'White Christmas', with a rather dreary version of
the Irving Berlin classic that's...oddly paced so that Davy seems to
be...pausing when he should be...singing and which is actually quite...off-putting
(like every Christmas card I write). Though I usually love hearing Davy singing
deep rather than high, this arrangement has taken things too far and he now
growls like the love-child of Lee Hazelwood, Lee Marvin and Johnny Cash. An
insipid backing behind tries hard to sound like a big budget orchestra with
very little and the effect is closer to tinsel and turkey than goodwill to all
men (and Monkees). The CD re-issue of Davy's own record 'Christmas Jones'
sensibly added this song as a 'bonus track', though it's more of a titchy
stockingfiller than a proper present. That arrangement of the song is pretty
white. And the same thing goes for Christmas! Find
it on: The original single and the CD version of 'Christmas Jones'
TV Episode #47
"The Monkees' Christmas Show"
(Recorded November 1967, First
broadcast December 25th 1967)
"The Monkees' Christmas message of 1967 is peace, love
and everything else!"
Music: Riu Chiu (Performance)
Main
Writer: Dave Evans and Neil Burstyn
Director: Jon Andersen
Plot: It's the Monkees' festive
episode! In a re-telling of 'A Christmas Carol', Monkee-style, the band are
hired to go to a Stately Home, the wonderfully named Vandersnoot Mansions.
Thinking they've been hired to play The Monkees arrive with instruments but
find out that instead they've been hired to baby-sit a little boy, Melvin, who
doesn't believe in Christmas. Melvin is old before his years, far more grown up
than the silly Monkees will ever be, and pooh-poohs their attempts to teach him
about Christmas spirit. The Monkees' ideas prove to be quite dangerous in fact,
with Peter losing control of a scooter when the band go Christmas shopping,
Micky coming down with a mysterious illness after mistaking poison ivy for
mistletoe when the band go to chop down a tree and Davy falling over when
trying to put the star on top of a Christmas tree. All these injuries also cost
money, thanks to a generously charged doctor, and The Monkees don't seem to
have helped Melvin's demeanour at all. Mike gives in and admits to Melvin that
he was right all along - that the Christmas spirit really doesn't exist. Melvin
goes back home, alone, but is deeply unhappy - he misses his new friends.
Luckily The Monkees don't give up that easily and Santa Micky and Elf Davy
arrive down his chimney, with Peter and Mike bringing presents at the door. One
present they bring is the best of all - Melvin's aunt who the band have brought
home so that this rather creepy and cold family can finally admit their love
for one another. The episode then ends with 'The Monkees Christmas Message'
where every member of their crew gets thanked and sends their festive greetings
home.
What we learn about The Monkees In This
Episode: Mike: Is surprisingly
the Monkee most insistent on believing in Christmas and it's the moment when
the band become broke and Mike stops believing that's the real turning point of
the episode. Peter bought him snow-skies last Christmas. Micky: Can't tell the difference between mistletoe and poison
ivy, with the latter making him come out in bright red spots. Also makes a
convincing Santa Claus. Peter bought him a chemistry set last Christmas which
turned him into a werewolf - he still
has random 'turns' (usually when he's standing next to Davy!) Davy: Makes a convincing elf. In another insight into the
character's persecuted childhood, he complains he never had the chance to hang
the star on top of the Christmas tree at home and seems oddly hung about his
height during the 'down the chimney' scene. Got a sports jacket from Peter last
Christmas which didn't fit him at all. Peter: Can't ride a scooter very
well and struggled to find suitable presents. The intelligence test he bought
for himself last Christmas exploded when he tried to use it - the hint is that
Peter is too thick, but as the cause is unspecified could it be he's really
secretly highly intelligent?
Things that don't make sense: That doctor seems to be available
an awful lot considering it's the Christmas holidays - and shouldn't poor Peter
be in hospital? Also where did the band get the money to pay for all the
presents at the end? (And why do they buy the reformed Melvin, a most un-athletic
boy, a basketball instead of, say, a joke book?!)
Best Five Quotes: 1)
Davy - "What did Peter buy you last Christmas, Mike?" Mike -
"When I saw what you guys got I wouldn't open my present till July!"
Davy - "And what was it?" Mike- "Snow skies!" 2) Micky
"He's just a little kid, right? So let's use child psychology on
him!" Davy "Yeah - do I beat him up now? Micky "No wait on
second thought, we can't do that!" 3) Shopkeeper - "That's $20 for
the stretcher!" Mike - "What's that for? A carrying charge?!" 4)
Davy - "How come I'm clean and you're all dirty? You're always getting at
me for being little teeny tiny Davy, you see, so I figured I'd come down the
middle of the chimney and avoid the sides" Micky - "Oh right! (Micky
blows smut into Davy's face) Davy - "Oh, that's charming that is!" 5)
Davy, during the crew 'Christmas message' - "I don't know who this guy is
or this guy - but they're very special too!"
End Segment: A gorgeous
'first version' of traditional Italian
Christmas Carol 'Riu Chiu' (a later re-recording with Chip Douglas stabnding in
for Mike can be heard on 'Missing Links Two' (1997) with this TV version not
released till the deluxe re-issue of 'Pisces Aquarius'). All four Monkees sing
a capella, with Micky on lead, Mike and Peter sharing the bass and Davy at his
more natural 'baritone' level. The song is an unusual choice and it's
seriousness sits in great contrast to the rest of the rather slapstick episode,
but it suits the Monkees' four voices to a tee and is a good place to start the
next time your ill-advised friend tells you 'but The Monkees can't really
sing!' A Spanish Carol about the birth of Christ and the baby being kept safe
by all the animals, the strange title itself isn't Spanish and is thought to
derive from the call of a kingfisher.
Interview: Well, it's not strictly an
interview this time but we're not sure what else to call it. This is instead
the 'Monkees Christmas Message for 1967' where all the crew who don't usually
get seen on screen and who'll be working across Christmas get to say 'hello' to
their families. Davy makes for a good emcee controlling the chaos, with Mike
and Peter chipping in but Micky seems unusually surly. Along with the names who
can be seen at the end credits of The Monkees' series are two key figures who
never were recognised with a proper credit: Property man Jack Williams who the
band adored so much he got two unbilled cameo parts in the final two episodes
of the series and Les Fresholtz, the sound recordist for the series. If what
Davy says is true the camera is running without a cameraman at the end, as
their normal person enters the shot - which must be a first for a TV series!
'Imagination' Sequence: Suddenly the rest of the band are
horse-racing commentators as Peter breaks everything in sight on his scooter
Best Ad Lib: Micky gets his line 'How
come I'm dirty and you're all clean?' wrong but given Davy's speedy response it
seems likely Micky got it wrong in rehearsals and the gag was kept in.
Postmodernisms: 'You guys think you're so
funny!' snarls the shopkeeper after Peter wrecks his stall. 'You should be in
the movies - or better yet on television!'
Review: The only Monkees Christmas episode - broadcast in the
prestigious Christmas Day slot - is part tinsel filler, part genuinely moving
festive viewing. It's a curious mix of 'Scrooge', a Swingle Singers Christmas
Special and 'Magical Mystery Tour' this one, too varied for it's own good as
The Monkees try to appeal to a family audience who don't know who they are all
over again - and risk leaving a lot of their 'real' audience behind. It's a
shame that the band didn't shoot the episode the year before when they were
sharper as their performance is one of the most tired shot for the second
season (it doesn't help that the bulk of this episode was made over the
Thanksgiving Weekend, so the end bit about The Monkees wishing they could go
home and rest for the holidays is only a slight lie). Micky is particularly
grumpy in this episode - the look he gives the actor playing Melvin when
they're off buying Christmas Trees could kill. However the foursome still get
lots of good material: the opening scene about what Christmas presents Peter
bought them all is superbly done, with the usual Monkee wit and quickfire cut
shots - and the final contrast between the oh-so serious 'Riu Chiu' and the
chaotic 'Monkee Christmas Message' with cast and crew is very Monkees, going
from one extreme to another in such quick succession as if both tragedy and
comedy live side by side. The bookending material is a lot better than the
actual plot then, which borrows a little too heavily from the tales of Scrooge
and various comedy Christmas shows about orphans (the plot is very similar to
the Hancock's Half Hour show 'The Christmas Orphans' - and that one didn't work
as well as normal either). The plot just doesn't give everyone enough to do and
the fifteen minutes of misery for the band can't be rescued by it all coming
together at the end, however well played the final scene of them all together
is. The story also seems weirdly plotted, veering from action scenes that are
too short (Davy's Christmas tree scene could have gone for much longer) and
other bits that are far too long (Melvin's dream sequence, set to some godawful
classical Christmas carols, and, erm, 'Pop Goes The Weasel', takes forever with
no dialogue being spoken). There are good bits even here though, such as Mike
telling Melvin about the importance of the Christmas Spirit while still
wrestling with an old lady for the last Christmas tree! Perhaps the main problem is that this script
just isn't Christmassey enough: yes there's a Christmas carol, a tree and a
spread of Christmas joy by the end, but Melvin's realisation that the silly
Monkees suddenly mean a lot to him isn't clear enough - it could be simply
loneliness that changes his mind at the end (while The Monkees end the story
more broke than ever). The plot itself is made considerably more watchable
thanks to Butch Patrick playing the young Melvin (although he was actually
fourteen when this episode was shot, much older than the eleven or
twelve-year-old Melvin seems). Patrick is one of the few guest stars to ever
outshine The Monkees (is that why Micky glares at him so?) and would go on to
lead a fascinating rollercoaster life; he signed up to The Munsters as their
son Eddie before The Monkees and went on to star in 70s drama 'Lidsville' as an
adult before suffering from heavy depression when the work dried up and
attempting suicide many times. His career went through an upsurge in 2010,
though, when he married a Munsters fan whose letters of support moved him
greatly and he fought off the diagnosis of prostrate cancer, saying that he
'realised how badly I wanted to live'.
Things
About This Episode You Might Not Know Unless You're A Mega-Fan: 1) Mike sings
'#Deck The Halls With Boston Charlie' when he's meant to be doing 'Deck The
Halls' a reference to a character in newspaper cartoon strip 'Pogo' by Walt
Kelly 2) Look out too for how the Monkees sing the line 'don we now with 'gay'
apparel' during 'Deck The Halls'. This is such an early use of the word for
'homosexual' (the original definition of ;gay' as used in the carol simply
means 'happy') that you can imagine all the parents watching this saying
'what's going,. on, darling?' as hip teenagers everywhere spluttered into their
Christmas pudding. It's a very Monkees moment of gentle subversion, with no
attention really being drawn to it. 3) The dummy Mr Schneider makes his last
appearance in this episode being attacked by Micky as a 'werewolf' - did he
come to a sticky end during Micky's next transformation off-screen? 4) Look out
for the word 'Beatles' scrawled on the Monkee chalkboard as the band try to
decipher Melvin's maths problem (The answer is '263' in case you hadn't worked
it out yet!) 5) This is the only Monkees episode ever to depart from the usual
credit sequence and is unique in listing 'Micky' and 'Davy' the other way round
6) This was the only Monkees episode repeated in the 1970s but after 1970
itself, with a repeat on Christmas Day 1971 6) Currently writing his own script
for the Monkee finale 'The Frodis Caper', Micky has the presence of mind to
shout 'Frodis Forever!' during the Monkee Message. This will leave fans
scratching their head until all is revealed three months later. 7) Mike Nesmiths'
woolhat makes its penultimate appearance on screen - worn by Davy as part of
his 'elf' costume rather than Mike 8) There is no Monkee 'romp' this week, the
middle of three occasions where this happens.
Ratings: At The Time 7.1
million viewers/AAA Rating: 5/10
Other Monkee posts from this site you might be interested in reading:
Other Monkee posts from this site you might be interested in reading:
A NOW COMPLETE LIST
OF MONKEE ARTICLES TO READ AT ALAN’S ALBUM ARCHIVES:
‘The Monkees’ (1966) http://www.alansalbumarchives.blogspot.co.uk/2013/07/the-monkees-1966-album-review.html
‘The Monkees’ (1966) http://www.alansalbumarchives.blogspot.co.uk/2013/07/the-monkees-1966-album-review.html
'More Of The Monkees'
(1967) http://alansalbumarchives.blogspot.co.uk/2015/09/more-of-monkees-1967.html
'Headquarters' (1967) http://alansalbumarchives.blogspot.co.uk/2008/07/review-10-monkees-headquarters-1967.html
'Pisces Aquarius, Capricorn and Jones LTD' (1967) http://alansalbumarchives.blogspot.co.uk/2008/07/review-18-monkees-pisces-aquarius.html
'The Birds, The Bees and The Monkees' (1968) http://alansalbumarchives.blogspot.co.uk/2009/06/news-views-and-music-issue-34-birds.html
'Head' (1968) http://alansalbumarchives.blogspot.co.uk/2008/07/review-27-monkees-head-1968.html
'Instant Replay' (1969) http://alansalbumarchives.blogspot.co.uk/2010/06/news-views-and-music-issue-64-monkees.html
'The Monkees Present' (1969) http://alansalbumarchives.blogspot.co.uk/2012/06/news-views-and-music-issue-148-monkees.html
'Changes' (1970) http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-issue-95-monkees.html
'Headquarters' (1967) http://alansalbumarchives.blogspot.co.uk/2008/07/review-10-monkees-headquarters-1967.html
'Pisces Aquarius, Capricorn and Jones LTD' (1967) http://alansalbumarchives.blogspot.co.uk/2008/07/review-18-monkees-pisces-aquarius.html
'The Birds, The Bees and The Monkees' (1968) http://alansalbumarchives.blogspot.co.uk/2009/06/news-views-and-music-issue-34-birds.html
'Head' (1968) http://alansalbumarchives.blogspot.co.uk/2008/07/review-27-monkees-head-1968.html
'Instant Replay' (1969) http://alansalbumarchives.blogspot.co.uk/2010/06/news-views-and-music-issue-64-monkees.html
'The Monkees Present' (1969) http://alansalbumarchives.blogspot.co.uk/2012/06/news-views-and-music-issue-148-monkees.html
'Changes' (1970) http://alansalbumarchives.blogspot.co.uk/2011/04/news-views-and-music-issue-95-monkees.html
'Pool It!' (1986) http://alansalbumarchives.blogspot.com/2014/01/the-monkees-pool-it-1986-album-review.html
‘JustUs# (1996) https://alansalbumarchives.blogspot.co.uk/2017/09/the-monkees-justus-1996.html
'Good Times!' (2016) http://alansalbumarchives.blogspot.com/2016/06/the-monkees-good-times-2016-or-are-they.html
‘Christmas Party’ (2018) http://alansalbumarchives.blogspot.com/2018/12/the-monkees-christmas-party-2018_24.html
'Only Shades Of Grey' :
The Monkees In Relation To Postmodernism (University Dissertation) http://alansalbumarchives.blogspot.co.uk/2013/09/university-dissertation-monkees-in.html
Auditions, Screen Tests
and Pre-Fame Recordings http://alansalbumarchives.blogspot.co.uk/2016/04/the-monkees-auditions-and-screen-tests.html
Surviving TV Clips http://alansalbumarchives.blogspot.co.uk/2016/04/the-monkees-surviving-tv-clips.html
The TV Series -
Season One (19966-1967) http://alansalbumarchives.blogspot.co.uk/2016/05/the-monkees-tv-series-season-one-196667.html
The TV Series - Season Two
(1967-1968) http://alansalbumarchives.blogspot.com/2016/05/the-monkees-tv-series-season-two-1967.html
'HEAD/33 and a third
Revolutions Per Monkee/Episode #761' http://alansalbumarchives.blogspot.com/2016/05/the-monkees-head33-and-third.html
Monkee Sidetrips: The
Boyce and Hart Catalogue http://alansalbumarchives.blogspot.com/2016/05/monkees-side-trips-boyce-and-hart.html
Live/Solo/Compilation
Albums Part One 1967-1975
http://alansalbumarchives.blogspot.com/2016/05/the-monkees-livesolocompilation-albums.html
Live/Solo/Compilation
Albums Part Two 1976-1986
http://alansalbumarchives.blogspot.com/2016/06/the-monkees-livesolocompilation-albums.html
Live/Solo/Compilation
Albums Part Three 1987-2014 http://alansalbumarchives.blogspot.com/2016/06/the-monkees-livesolocompilations-part.html
Key Concerts and Cover
Versions: https://alansalbumarchives.blogspot.com/2018/05/the-monkees-five-landmark-concerts-and.html
Essay: A Manufactured
Image With No Philosophies? https://alansalbumarchives.blogspot.com/2018/04/monkees-essay-manufactured-image-with.html
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